by Shelt Garner
@sheltgarner
I have figure out a way to really flesh out the characters I’ve come up with while also dramatically improving the world building. I’ve added a number of scenes at the beginning of the novel. And, yet, there is a looming problem in my mind– not a lot goes on in these new scenes.
The idea of doing this, of course, is to lean into the characters I’ve come up with to the point that when something DOES happen, you care enough, are engaged enough that you want to find out what happens to them. I’m just a little nervous that a lot of people won’t be patient and will think the novel is “boring.”
And, yet, if you read The Girl With The Dragon Tattoo the first 135 pages are dull as dirt. It’s a lot of dry exposition that really doesn’t seem to have much point. It’s amazing, in my mind, that the novel became as popular as it did given such a massive obstacle.
But I’m pleased with what I’ve come up with. I’m really struggling to make the additional scenes as thought provoking and provocative, even if, in real terms, not a lot goes on. So, I hope that people are so busy reading these early, though provoking scenes that they excuse the lack of action.
I continue to have no idea what I’m doing, so who knows. It could be I’ve stumbled across a winning formula or it could be that I’m going to ultimately have to cut all these additional scenes at the behest of an editor. But that is a ways down the road.
I therefore just have to be content that things are going as well as they are. I’m kind of an in an idyllic situation when it comes to writing a novel and given that all good things must come to an end, it’s inevitable that that is just what will happen. I’m grateful for the opportunity I’ve had while it lasts.
