On The Issue Of ‘Fridging’ In Modern Storytelling

Shelton Bumgarner

by Shelton Bumgarner

I try to be empathetic to the liberal-progressive agenda. I really, really, do. But when “woke” people come after some pretty basic elements of storytelling I get really, really mad. I have been aware of the “fridging” trope for some time, but I was unaware that essentially now ANY use of anything related to it is “canceled” in woke culture.

Or maybe only women can use it now? Is that it? No matter how great the story is, if women are put in danger for any reason for the sake of a plot it’s “fridging” and looked down upon? Fuck that. What makes it all the worse is how broad and convoluted the arguments against using the threat of violence against women as a storytelling technique are. I mean, really, people. Has anyone looked out the window? The real world is a harsh, brutal place. There are elements of my story should mitigate the “fridging” accusation for a least some of the woke media observers on Twitter who would harp and bitch about the story in the extremely unlikely event this story is actually a success in any way.

The only thing I can do is be extremely aware of that criticism going forward. That’s all I got. I’m not changing my story to fit anyone’s “woke” political agenda. This story is meant to be a great story that *I* enjoy. I just don’t want to embarrass myself.

There comes a point when you just have to accept that you can’t please everyone — especially woke media observers — and simply embrace the slings and arrows of outrageous fortune. I guess Star Trek, that is a utopia and barely has any conflict, is the only thing we should be shown from now on or something.