Things Are Drifting In The Right Direction With The Novel



by Shelt Garner
@Sheltgarner


While I know to everyone who is not me, it seems like I’m spending all my time writing and talking about the novel I’m working on and not actually, well, working on the novel, this is not, in fact, true. It’s just that am doing all of this in a vacuum and, well, sometimes I need to collect my thoughts in a public fashion.

But things are, in fact, moving towards the next stage of development — the one where I actually start writing the novel. I’ve improved so much as a storyteller recently because of how much reading I’m doing. That, in itself, is one of the reasons why my march towards writing again is slowed so much. I just keep realizing how bad my previous concepts of writing a novel were and how much I need to continue to improve my storytelling ability.

I just don’t want to embarrass myself. I want to write a really good first novel that I can use to write even better fiction in the future. My dream is to write a breakout novel like Stieg Larsson’s Girl With The Dragon Tattoo. But my personality is so dramatically different than what I believe Larsson’s was, that I can draft all I want to off of him, my story is going to be significantly different.

It would be now that I would usually head to NYC and vegge out for a few days to process life and art before pushing forward. But because of fucking COVID19, I simply can’t do that. I’m probably going to do some traveling soon, like this weekend, but I’m going to drive south, not take the bus north. (No matter how much it pains me that I have to do this.)

Anyway, I continue to read as well as develop. That is really helping me with this novel.

Believe In Yourself — No One Else Will



by Shelt Garner
@sheltgarner


The thing about someone like Crooked Media’s Erin Ryan is I can mean as well as much as I want — she simply will never accept me for who I am. I’m always going to be a middle-aged loser who is a member of the patriarchy. I only mention this because, well, I’m going to draw upon what I know about her to think up my novel’s female romantic lead.

I am honestly rather indifferent to Ms. Ryan one way or another — live long and prosper, lady. It’s just a little annoying that I can paint the most pleasant picture of her I want via my female romantic lead and she will never, ever return the favor for any reason. It would be bad for her “image” to simply give me an empathetic assessment should some reason arise.

Anyway, I believe in myself when it comes to this novel. I try to bend over backwards to be as empathetic to wide-range of types of people. I want to be as representative as I can possibly be. In fact, I’m a big believer in representation in art. But, again, lulz, nothing matters. I’m a loser to people like Ms. Ryan. I’m not perfect and I’m not some sort of ideal feminist ally. All I can do is try to write something entertaining and see what happens.

Though I will note that pretty much this entire novel gets its energy from my white-hot rage against MAGA. I fucking hate MAGA with a white hot rage. Since I’m a man of peace, a man of ideas, all I got is a novel. All my venting about MAGA is diffused to such an extent in this novel that hopefully you’ll see my hatred of MAGA is more about my hatred of extremism than anything else.

I don’t mean to whine, but the whole thing can grow frustrating. I can’t help who I am. I can’t help my age. I can’t help my background. I can just try to write the best novel I can and see what happens.

I Have No Idea What I’m Doing With This Novel



by Shelt Garner
@sheltgarner


I really have no idea what I’m doing with this novel. But the outline I’m working on keeps drifting towards something I hope to be very pleased with, so I keep going. I’ve finally reached the point where I fully understand that writing a novel is a marathon, so just because a solution to an immediate problem won’t come to me right away, doesn’t mean it won’t soon enough.

Right now, I’m doing a lot of reading. They say if you have enough time to write, you have enough time to read. So I’m grazing a lot when it comes to reading. I have a number of books — a small library, in fact — of books I hope to read over the coming days to improve not just the general conceit of the novel, but the characters who in habit it, as well.

But, like I said, I have no idea what I’m doing. Yet I do hope to start writing again soon enough. Absolutely no later than July 1st. I am going to have to do a huge amount of reading to get to the point where even the outline is as good as I need it to be before I go to the next step of fleshing out individual lines in the outline.

I look over what I have done of the outline and I’m very pleased. I’ve made considerable progress on the outline in large part because I am no longer attempting to draft off of Stieg Larsson. I’m telling my story, not his (which I was doing on a structural level.) But I continue to use his book The Girl Who Played With Fire as my “textbook” as to how to write a novel.

But I definitely need to read more novels, just in general. And watch more movies. A whole lot more movies. I saw Chinatown for the first time recently and the ending left me shook. Anyway, I really need to be willing to go outside my creative comfort zone more.

Development Struggles With My Novel’s Female Romantic Lead



by Shelt Garner
@sheltgarner


I started off wanting my novel’s female romantic lead to be someone like Alexa Chung. Then she gradually evolve into someone more like Jodi Kantor. Now, she seems more inspired by Crooked Media’s Erin Ryan.

The reasons for this are simple. Chung is too much of a celebrity to write easily and, besides, what would she do? It’s difficult to stand around being gorgeous and witty in a novel. Her character needs to be active in the story. Meanwhile, while the actual human being Jodi Kantor probably has a lot of character, my writing isn’t good enough to portray the type of person she is (very smart and intense) without her character overshadowing the hero. So, now, I find myself thinking about using Erin Ryan as inspiration.

Ryan is very smart and has a lot of spunk. She’s also a bit younger than the other two women, so that affords a different dynamic than might otherwise exist. The dynamic between men, women and age is something you really have to think about seriously if you’re trying to write a novel that’s believable.

None of the women I mentioned would sit next to me in a restaurant. I can’t help how old I am or what I look like. I am who I am. I mean well and can tell a good story. It’s their loss if they think I’m just middle-aged creepy weirdo.

Anyway, my novel’s female romantic lead is now a combination of Alexa Chung, Jodi Kantor AND Erin Ryan. But, remember, while I can articulate a vision pretty well, my writing simply isn’t what it could be. So, there’s every reason to believe that while I can explain to you my vision for the character, should you actual read the character in the novel, you won’t be able to see the connection as clearly as I’ve stated here.

Who knows.

Things Are Still In Flux With This Novel



by Shelt Garner
@sheltgarner


As this novel’s story grows stronger, I realize some things just don’t work. Sometimes, some pretty big issue stare me in the face for a few days until I figure out how to fix them.

Right now, I have a whole slate of fairly large issues I have to deal with. I’m going to sit down this evening and explicitly state what they are so I can hopefully fix them. I’m quite pleased with the state of the novel right now (it’s just an outline right now) but I have to finish this stage first before I can sit down and start to write.

Or, more specifically, before I can begin to flesh out the individual lines of the outline into individual scenes descriptions that I can use to write scenes with. But the key issue is to just keep going, no matter what. I know I’m being fussy, but I’d much rather be fussy now and have a great product to use as a starting off point than fail — again — to finish anything of note at all.

I know I shouldn’t talk about what I’m working on, but I can’t help myself. That’s who I am. I love to talk and write and I have no friends, so here we are.

Idle Rambling About The ‘Wind of Change’ Podcast, #JodiKantor, #JessicaAlba & The #Novel I’m #Writing



by Shelt Garner
@sheltgarner

Some thoughts.

My Novel’s Female Romantic Lead As Twitter Liberal



by Shelt Garner
@sheltgarner


Every story needs an outsider to serve as the proxy for the audience. They ask questions that you need to answer for them. For my story, I’m using someone inspired — sorta — by someone like Jodi Kantor. I’m not a good enough writer to properly represent this type person, but in general the novel’s female romantic lead is meant to be, essentially, a Verified Twitter Liberal.

There are some problems with doing this. One is, I fear Twitter Liberals will like this character more than the actual Hero if I’m not careful. I know the mentality of Twitter Liberals well enough to fake it in a character, but I’m nervous that if i do too good a job, they’re going to be more interested in my female romantic lead than, well, my Hero.

But the point of using a Twitter Liberal as my female romantic lead is to prove a point — in the end, we’re all human. That, and the fact that having a character inspired by Jodi Kantor fall for a character inspired by bonkers me is very, very funny to me. It’s both a challenge and entertaining to me as I develop to see if I can pull this otherwise surreal relationship off.

But, again, it’s going to be a huge challenge. Everyone thinks I suck. Everyone wants me to fail. Everyone is looking for some reason to make this all moot. But I believe in myself, nonetheless. I think Ms. Kantor has looked at this Website and found me, shall we say, lacking. I can’t help what a kook I am (using her metrics). I am who I am. I try my best to be the best person I can possibly be.

Anyway, things continue to move quicker with development.

I’m quite pleased.

Of Someone Writing A Screenplay Inspired From My Development Writing Online



by Shelt Garner
@sheltgarner


I vacillate dramatically from assuming that, of course, someone is going to use all my development on this Website to write a screenplay that “steals” my idea to wondering, how, exactly, they would do it.

I guess you could get the general gist of the concept if you looked at what I’ve been writing about and talking about the last 18 months, but even if you did do that, your interpretation of the concept and mine would likely be dramatically different.

I keep seeing people poking around this Website in my Webstats and that alarms me because I assume that of course my worst fears are being realized. And, yet, really, the idea I am working on is so expansive and ambitious that a screenplay would be, by definition, dramatically different than the novel I’m writing.

If I had, like, friends and stuff, then this wouldn’t be an issue. I would talk to them about what I’m working on and I wouldn’t have this problem. My only hope is that even if people were actively stealing from me at this point, it would still take actual physical time to develop the screenplay. And the subject matter of this novel is such that I find it dubious that even if someone could somehow accurately reverse-engineer the concept from what I’ve done here, I’m not so sure they would actually steal the story beat-for-beat.

Or maybe I’m wrong. Maybe that’s exactly what’s happening.

But I’m of the opinion that you make decisions on what you know, not on what you don’t know. I could just give up and assume someone is going to steal this concept from me, or I can work harder and faster so at least I finish something sooner rather than later.

If you are trying to “steal” my story — fuck you, you hack.

Outline Rambling



by Shelt Garner
@sheltgarner


Things are moving a lot faster because I’m doing an outline of the novel instead of putting all that much work into fleshing out individual scenes. This process allows me to get far further into the novel than I usually do before everything falls apart and I have to start from scratch.

The downside of this is I realize what a massive task I have ahead of me. I have a very complex plot with some pretty huge structural issues that I continue to bump up against as I develop. The biggest problem is how ambitious this novel is. I’m trying to explore the entirety of the Trump Era through allegory. There’s just so much going on, that it’s a struggle to make it all easy to understand. And, really, the only thing that allows me to keep going is I know how great this story is.

I’m willing to throw my heart into this project because I know I can produce something pretty cool — an entertaining — if I just keep at it. I have to believe in myself. I can’t give up. I’ve gotten this far, I have to be willing to do whatever it takes to herd it to completion.

I’m trying to move as fast as I can on this outline. I hope to start writing again no later than June 1st.

An Unexpected Struggle With The Novel As It Grows Better



by Shelt Garner
@sheltgarner

Things are moving fast with the novel. And, yet, as my storytelling ability gets better, I realize there are some major flaws with what I have right now. I came up with a very complex situation for this story when all of this began and as my writing ability gets better I realize how much work telling the story I want to tell will entail.

I have a very specific vision and I’m willing to put the work into this novel to make that vision a reality. It’s just every once in a while, I have to re-calibrate some pretty significant parts of the story, long after I think I have things settled.

But at least I’m recognizing these problems now, instead of getting all excited and showing it to beta readers, only to have them laugh at me. (Or, worse yet, to simply give me silence.) I’m doing a massive amount of reading right now to catch up to where I should be with this novel.

One problem I’ve had is I’ve been drafting so much off of what Stieg Larsson did with The Girl Who Played With Fire, that now that I realize my novel isn’t served by doing that anymore, some fundimental issues have come up. I really want this novel to be something of a “brown shoe” for readers in the sense that superficially, at least, it seems like just another thriller — even though it’s, in fact, an allegory for the Trump Era.

So, I struggle a lot with how to properly tell this story in the way my gut tells me to — I’m essentially doing everything in a vacuum. I have no friends and no one will help me, so all I have is my personal vision of the story I want to tell. I talk a lot about this novel online for no other reason than it gives me a socially acceptable way to talk to myself.

At this point, the only thing that keeps me going is I know how important this story might be if properly written. There are a lot of existential problems with this novel — all of them, well, directly connected to me. But I’ve been working on this thing so long that I think the point is to just wrap up the outline and write something, anything starting June 1st.