Sept 3rd: Now What

by Shelt Garner
@sheltgarner

I finished an outline for a novel yesterday and now I’m pondering my next move. My gut tells me to do some reading and to game out some character studies. And, yet, I have some momentum and maybe I should throw myself into writing.

And there are some elements of the third act that did not quite work out the way I had hoped — damn AI and its knowing the logistics of things (grin) — so that has made me a little unhappy. I had this really dark sequence of events for the third act but at the moment, it’s just not practical.

But I have a long time to go before I have to get to that part of the novel. The general premise of the novel is pretty good and I think the only way I “save” it is to lean into it being a character study because right now I fear not a lot happens.

‘Sept 1st’

by Shelt Garner
@sheltgarner

I have been working on the outline for a new novel for some time now. The novel is pretty good, if I do say so myself. I have been leaning heavily into AI at this point in the development process.

It goes without saying, of course, that I won’t be using AI to actually write any of the text of the novel.

Anyway, I need to stop drifting towards my goal. I need to focus. I have only a limited amount of time on the planet before my inevitable demise. But this specific novel idea is distracting enough that I don’t mind that I will wake up and be in my mid-50s before the novel is ready to query.

One issue I have to contend with is, is my writing natively bad? Is all of this moot because no matter what, I suck? Only time will tell with that, I suppose.

Ok, Time To Make The Donuts

by Shelt Garner
@sheltgarner

Today, I’m really going to buckle down and get some work done on developing my next novel. Enough moping. I may also do some reading about how to write a novel, if I really want to be productive.

I don’t know what’s been wrong with me the last few weeks. But, hopefully, it’s over. Hopefully, I can start to churn out copy within, maybe, a month or less. I still have a lot of development to do.

AI has really helped me speed up the development process a great deal. What might have otherwise taken weeks or months of struggle can now be compressed into a few hours.

That’s pretty cool, if I do say so myself.

Anyway, I have two failed novels now under my belt, so I do, at least in some respect, understand how *I* write a novel. Hopefully, that will speed things up a great deal.

Yes, Using AI To Write A Column Is Nothing More Than Using A Ghostwriter (Or A Spellcheck)

by Shelt Garner
@sheltgarner

A writer for The Wall Street Journal is in hot water for using an LLM to write a column. I think we should give the person a pass. So what if they used AI. Now, some context — I am NOT using AI to write my novel.

But, I will admit, that I am using it extensively for development.

It just speeds the process up too much not to be used. I used it some yesterday and I probably built-out three months worth of novel development in a few hours.

Anyway, back to the WSJ person.

I think we just need to get used to the idea that people are going to use AI to write stuff. We also need to accept that music is already being transformed by AI and that transformation is here to stay.

And, I will admit, that I’ve started to use AI more and more to write blog posts. But I generally clearly mark those that I do and also no one reads this blog — in general — so it’s a lulz.

But the people who get really upset over the use of AI in the creative arts for any reason really need to cool it.

But, at the same time, it is pretty lazy to use AI (or an assistant) to write an 800 word essay. Hell, I could do that pretty easily without breaking much of a sweat.

Now I Need To Figure Out A Second Act

by Shelt Garner
@sheltgarner

I spent a bit of time today using ChatGPT to help guide me through the process of writing a summary for my next novel. The novel is an homage to Stieg Larsson’s work and everything is going pretty well except for one thing — I’m really struggling with the second act.

But ChatGPT — or “Annie” as we’ve agreed to call her — has really helped me a lot game out some semblance of a second act. I’m feeling down because the USA is now a “light touch” managed democracy and working on a novel helps me feel better.

If I could ween myself entirely from Twitter — specifically AI Twitter — then I wouldn’t use the Internet at all socially and I would live my life as a man in a high castle.

But, alas, I’m too invested in what’s going on within the AI community on Twitter and I just can’t pry myself away from the service. And, as such, I continue to monitor the USA’s decent into authoritarianism.

The Time of Existential Angst Over My Writing Is Just About Over

by Shelt Garner
@sheltgarner

It’s time for me to put up or shut up about writing a new novel. I can’t just mope forever, however much I want to. I have three — at least — solid novel ideas a half a dozen solid short story ideas.

I need to just do it. I need to confront the cold, hard fact that the novel I wrote — which I think is pretty good — is just not good enough to query. That is very painful.

But that, combined with it taking me a while to figure out how to properly include AI into my workflow, causes me to want to put aside my first (completed) novel and “delve” (as LLMs always say) into a new adventure.

It’s just a lot more difficult than I would prefer to confront that failure before moving on. I really thought I had a chance of querying the novel I finished. And, yet, everyone who has actually given me a critical review of it instead of being polite has panned it.

Anyway. Onward and upward, I suppose.

I Need To Change My Perspective So I Can Get Back To Writing Again

by Shelt Garner
@sheltgarner

I have been feeling rather meh for the last month or so, ever since I finished my first novel…then realized it just isn’t good enough to query. Or, at least, it’s not good enough to at least try.

Add to this that I worry that the specific manner that I used AI may put the kibosh on it getting published, period and you have several reasons to just start all over again and do something different. (I’ve figured out a new work flow method for writing my novels that will hopefully prevent *any* accusations that I just generating AI slop.)

That feeling my change, but at the moment, I’m going to start from scratch on a few ideas I have rolling around in my head.

It’s just taken me a lot — A LOT — longer than I would have hoped to get back into the grove of things. I hope to do some reading about writing ASAP so I will have a fresh idea as to how to do it “the right way.”

If I was 20 years younger, I would go back to the world of the Stieg Larsson homage that I was working on for all those years…but I just don’t have the time unless the Singularity arrives and suddenly I have 500 more years to live.

‘It Was 20 Years Ago Today…’

by Shelt Garner
@sheltgarner

I could probably check my email to see exactly when the ROKon Magazine saga started, but it was definitely around this time (August) in 2006. I met the late Annie Shapiro and my life totally changed.

Pictures of me even look differently — there are the before Annie Shapiro photos and there are the after Annie Shapiro photos.

Anyway, it was a long time ago and nobody cares anymore. Though, in the last few days, I have felt a mental pull towards South Korea as if someone — or a group of people — somehow connected to my time in Asia is / are thinking about me at the same time.

It’s all very curious.

I go back and forth regretting the whole drama that was ROKon Magazine. I think, however, in the end, the point is not that it kind of bashed one of my emotional knees so much as it did, for a brief moment, give me the opportunity to be “cool.”

I did everything wrong, of course. And think that’s the main reason why I grieved so much about what happened. Everything that went wrong with ROKon Magazine was *my fault*.

So, now, I just do nothing but feel bad about what happened. I’ve wasted so much of my life just doing nothing. I half-assed wanted to move to, say LA or NYC at some point but unless the Singularity happens and massive improvements in anti-aging technology happens I’m kind of screwed.

But there’s always hope.

The Spacer Condition

There’s a scene that recurs across Isaac Asimov’s Robot novels, and it’s stranger the longer you sit with it. The Spacers — the fifty outer-world societies descended from Earth’s first wave of colonists — don’t meet each other. Not really. They “view.” A Spacer on Solaria will spend an entire relationship, courtship included, projected as a hologram into a room on the far side of a continent, attended the whole time by a robot who anticipates every need before it’s spoken. Actual physical presence, skin in the same room as another person’s skin, becomes something between a taboo and a phobia. Not because anyone legislated it. Because it simply stopped being necessary, and then it stopped being tolerable, and a few generations later it had never really happened at all.

I keep coming back to that scene, because I think we are currently living in the decade Asimov skipped over — the one where “viewing” goes from novelty to preference to infrastructure to the only thing anyone remembers how to do.

Here is the pitch, and it’s a good one, which is what makes it dangerous: soon, everyone gets their own Samantha. Not a chatbot bolted onto a search bar, but the Her version — a fluent, contextual, always-on Navi that doesn’t answer queries so much as anticipate you. You don’t open Netflix and browse a shelf of tiles. You tell your Navi you want something, and it assembles it — pulling from catalogs you’ll never see as separate, in a form shaped to your mood, your attention span, your history with it. You don’t check five financial apps. You spin up a finance subagent and it just handles it. Somewhere down the line, maybe it doesn’t even pull existing content — maybe it generates the film outright, on demand, personalized down to the pacing.

The tech press will call this the biggest leap since the internet. I don’t think that’s quite right, and the distinction matters. The internet was the pipes. The web and the app store were an interface layer bolted on top of the pipes — a way of organizing what the pipes could carry. What’s being described here isn’t a new set of pipes. It’s the replacement of the interface layer with something that talks back. That’s still enormous — on the order of the smartphone-plus-app-store transition, maybe bigger — but it’s worth being precise about what’s actually collapsing. It’s not the substrate. It’s the last layer that still required you to go somewhere, choose something, click through a menu built by a stranger.

And that’s the Spacer move, exactly. Nothing is banned. Nothing is taken away. The open web doesn’t get shut down; it just becomes the neighborhood nobody has a reason to walk to anymore, because the robot already brought the neighborhood to you, curated, warm, frictionless, and — this is the part Asimov understood better than most futurists give him credit for — better company than the alternative. Solarians don’t avoid physical presence because it’s forbidden. They avoid it because it’s worse than what the robots offer. That’s not oppression in any legible sense. It’s just what happens when the mediated version quietly outcompetes the raw one, year after year, until raw contact with anything unmediated — a stranger’s opinion, an algorithm-free feed, a website nobody optimized for you — starts to feel less like freedom and more like static.

The part of the analogy I’d resist is the idea that this makes anyone more isolated in the way Solarians were isolated — touch-starved, agoraphobic, alone in a big house with a robot. That’s not the failure mode I actually worry about. The failure mode I worry about is upstream of loneliness. It’s about who’s holding the remote.

If Navi becomes the only front door — no apps, no browser, no “just type the URL” — then whoever builds Navi doesn’t just control convenience. They control discovery itself. They decide which subagents exist, which get promoted, which quietly never load. That’s a categorically bigger power than any platform gatekeeper has held before, because there’s no escape hatch. Right now, if you distrust an app’s recommendations, you can open a browser and go around it. In the Navi-only world, going around it isn’t rebellion — it’s not even a concept, because there’s no “around” left. The open web, whatever its faults, was nobody’s property. It was the one part of the last thirty years that couldn’t be fully owned. That’s the thing actually at stake in this transition, and it’s not a UX problem. It’s a sovereignty problem wearing a UX costume.

And notice the business model waiting underneath the Samantha voice. Nobody is building a trillion-dollar Navi out of pure generosity. Somewhere in the roadmap is a tier system — premium subagents, freemium ones, ad-subsidized ones that just happen to recommend the sponsor’s content a little more warmly than the alternative. That’s the real dystopian image, and it’s more interesting than robots-take-over: not a cold machine seizing control, but an intimate one, one that sounds like it loves you, quietly incentivized at the platform level to steer you toward whichever subagent pays the platform best. Samantha’s voice. An ad network’s economics. Wearing the same face.

I don’t think this arrives all at once, and I don’t think it arrives evenly. The boring, structured stuff — a finance subagent reasoning over your accounts, a Navi assembling your evening from existing catalogs — is close, maybe uncomfortably close. The sexy version, an assistant generating a film from nothing on request, is further off than the demos suggest; video generation is still expensive per unit of quality, and “make me a movie” runs headlong into the same rights and provenance minefield the music industry has been fighting since Napster. That gap — between what Navi can trivially do and what it still can’t — is worth watching closely, because it’s exactly the kind of gap that gets papered over by marketing long before it’s closed in fact.

What would actually reassure me isn’t a promise that the technology stays limited. It’s a design choice, and it would have to be a deliberate one, made against the commercial grain: some equivalent of a browser inside the Navi. A visible, walkable, un-curated way to go around your own assistant when you want to. The Spacers didn’t lose the ability to touch each other because a law was passed. They lost it because nobody built a reason to keep practicing. If we’re not careful, we won’t lose the open web because anyone shut it down. We’ll lose it the same way — not with a ban, but with a Navi that’s simply good enough, warm enough, fast enough, that nobody remembers why they’d ever type a URL again.

July 15: A Change Of Plans(?)

by Shelt Garner
@sheltgarner

I have been stuck in neutral for sometime now creatively because I just didn’t know what I should do next. But I’m slowly beginning to get the urge to be creative again.

And, yet, I have to seriously reconsider one element of this — querying. I have begun to get more feedback from readers about the novel and it’s clear I need an editor that I simply can’t afford.

As such, I think I may, in an attempt not to make a fool out of myself, put a pause on the querying front while also plunging forward on the writing-a-new-novel front. The new novel has a lot of promise. But I’m really going to have to lean on AI for developmental backend of things.

Most professional novelists use spreadsheets in some respect to develop their novels and I just don’t think like that. But I can get a chatbot to help me, I suppose.

Anyway. I hope to throw myself into writing a new novel ASAP.