by Shelt Garner
I’m really getting into the specifics of the structure of novel scenes these days. I’ve begun to stabilize the beginning of the novel to the point that I can take a deep breath and start to look at some of the nitty gritty things that I have ignored to date.
One thing is — structuring a scene can be hard work.
For one, not all scenes are the same. But because a lot of struggling writers — like me — have no idea what they’re doing, they turn to people who seem to have some “reveled truth” about how to write a novel.
There is no reveled truth, by the way.
Anyway, I’ve begun to cobble together my own ideas of how to structure novel scenes. And to me, the key thing is not to be a hack — there are scenes and there are sequels and sometimes there are things that just barely fit the concept of what you’re told a “scene is supposed to do.”
But, in general, I would say you need some sort of “change” in the unit of measure known as a scene. Though sequels are a different thing altogether at times.
I’m really getting out of my comfort zone with this novel, which is good.
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