by Shelton Bumgarner
@bumgarls
I dunno. Either this is novel’s concept is genius or completely ridiculous. Here are some thoughts.
Be The Power
by Shelton Bumgarner
@bumgarls
I dunno. Either this is novel’s concept is genius or completely ridiculous. Here are some thoughts.
— Things are going fine right now.
— Have a lot of blank time to fill up.
— The novel occurs over about 5 months.
— The book is very cinematic
— Rock music is at the center of this concept.
by Shelton Bumgarner
@bumgarls
So, I’m writing a novel.
Now that Trump’s probably never leaving office, I feel like I have been pushed into the second act of personal quest for fire.
Because of a unique set of circumstances, I have a window of opportunity to throw my entire mind at writing a 200,000 word work of pop art about life in the Trump Era done in the guise of a thriller set in a small Southern community.
It may suck, but at least you can’t say I didn’t try.
And given the track record of writers, I’ll probably die of consumption even if I do manage to sell the thing to a publishing house. Or I’ll have to self publish.
Or something.
Something sucky.
But my entire creative life is officially consumed by this project. I’m giving myself a deadline of Jan. 1st, 2020 to finish a SECOND draft.
Wish me luck.
— Things keep getting better.
— I’m really actually, for once, beginning to get into the first half of the second act.
— There’s a reason why they tell you not to show your first draft to anyone. This first draft is going to be pretty chaotic.
— I’m a little nervous at the 200,000 word length, but the book I’m modeling the story after structure-wise, The Girl Who Play With Fire, is that length, so there you go. That’s what I’m shooting for. I really want that length, but we’ll see what happens once the beta readers get to it.
— It’s going to be interesting to see how long it takes me to finish the first draft. I know the major beats I want to hit, but how I actually manage to get there will likely be a pretty wild ride.
— Things continue to go well so far.
— Nervous about losing momentum if I don’t keep working on the scene summary.
— I have so much work to do.
— I’m doing everything wrong.
— It’s a lot of fun.
— In the “second part” (last 30 scenes of Act 1).
— May stay up all night tonight writing.
— Have to show that my heroine has the skill-set necessary to be a kickass superwoman.
— Need a sympathetic conservative character.
— Need to keep developing the rest of the novel as I write to keep momentum.
— Nervous if the novel is a success, people will want a quick sequel.
— Hoping this novel will be something of a mixture of The Girl With… series and The Fast & The Furious.
— Work on developing the first half of the second act continues.
— I’m dreaming in plots again.
— Continue to think about the scifi series I may eventually write.
— Going to try to write at least a few scenes a day, no matter, what going forward.
— A lot of people are probably nervous about writing Trump Era allegories because they don’t know how — or when — it’s going to end.
Some observations.
— Things are moving along well.
— Worried the heroine is a little TOO exotic
— Still worried about someone stealing a march on me in any number of ways, but the story itself is so personal, so semi-autobiographical, that a litteral “stealing of the concept” seems a bit difficult.
— Writing a novel takes time.
— If you talk about a novel, people assume they can read it immediately.
— Still struggling with what happens in the first part of the second act. Pretty much clueless at this point, but I can feel the pressure of creativity pushing up against the blockage in my mind. Once that dam bursts, things should start to move fast again.
— The method I’m using of developing a lot then writing works well for my writing style. Helps me to know the story really well as I actually write it.
— I’m on track to maybe trying to sell a completed spec novel at some point in late 2020, early 2021.
— The success of this novel will depend not only on my ability to tell a great yarn, but the state of politics in the broader world if, and when, it should ever come out.
— Debating on an “outsider” who pops up in full force in the beginning of the second act. But I don’t know yet who the person would be and / or what purpose they would serve.
by Shelton Bumgarner
@bumgarls
Enjoy.
By Shelton Bumgarner
@bumgarls
The more I think about it, the more it makes total sense that Jack McBrayer could probably win an Oscar if he played The Mule character as written about in The Foundation series.
The Mule in the series is introduced as something of a goof. Only later do we learn who he really is and the power that he has. So, if I was writing the screenplay for Jack McBrayer, I would break it down like this:
Act I
We introduce The Plan and how it’s supposed to save humanity from 10,000 years of darkness. We introduce the four (if I remember correctly) people who will ultimate race around the galaxy looking for The Mule’s home planet. (I’m too lazy to look the plot of the novels up and this just gives you a general sense of what to do with it, anyway.) At the end of the first act, The Mule’s forces storm Terminous and we’re kicked into the second act’s special world.
Act II
In this act, our four core group of people race around the galaxy, hoping to understand The Mule and as such bring him down. Lots of cool shit happens and we’re introduce to the world of The Foundation (which, of course, unfortunately Star Wars stole huge chunks from.)
At the end of this act, we learn who The Mule is and “all is lost.”
Act III
In this act, we see the Oscar-winning aspect of The Mule character for Jack McBrayer. All along he’s been this goofy-happy guy and in the last act the audience learns he’s actually really evil. And, what’s more, you have the Trump allegory in there as well (if you read exactly what I’m summarizing.)
We have our climax, The Mule is defeated and we leave the door open for a sequel.