by Shelt Garner
@sheltgarner
While I still have the entire second half of the latest iteration of the third draft to make a pass through, it is beginning to sink in that I’ve just about entered the post-production part of my journey towards publication.
The fact that many, many, many people languish in the querying process for years and years gives me pause for thought. I’m not getting any younger and it could be that either I drop dead before I get published or I’m so old that it’s just kind of poignant and sad. I keep searching my mind for ways I could potentially make the novel better. But at this point, the issue is simply rewriting scenes that maybe haven’t been updated in ages.
At the forefront of my mind is how “spicy” the novel is. This element of the novel comes about in large part because of one plot point — my heroine is a partime sex worker (stripper) during course of the novel. She owns a strip club and on someting of a lark, decides to go back to stripping for the holidays.
I hope that I have written a novel that is as popular and an accessible as Stieg Larsson’s The Girl With The Dragon Tattoo.
This really helps the novel be better — at least in my opinion — because it makes it edgy, and interesting in an unexpected way. I’ve never seen stripping depicted in the way I do in popular fiction.
But.
There is a problem of the “woke cancel culture mob” that hates heterosexual sex (apparently) and hates CIS white men doing anything — especially writing from a female POV. (I’m being rather droll in even mentioning this.) There are no easy solutions to this particular problem — I have realized what my vision is for this novel is and that’s what I’m going with.
It doesn’t help — I say this with a wink — that many literary agents are white liberal women. I have nothing against white liberal women, I just think the phrase is amusing and I can’t help myself and bring it up a lot as something of a running gag. (Of course, my use of the term isn’t going to help me any when literary agents start to do due diligence on me.)
What I need is an honest third party evaluation of the novel to get some sense of how the sex worker angle of the novel will play with an audience. I have no friends and no one likes me, so my ability to get that kind of input is limited or nonexistent — at least for free.
All my regular readers know me personally. I need someone who reads a lot who is willing to be firm — but fair — about what I’ve come up with. I suppose what I’m saying is I need a manuscript editor of some sort. But those don’t come cheap.
But I even I have to admit that I’ve pretty much reached the goal I started towards several years ago — writing a novel that doesn’t embarrass me. What happens next is anyone’s guess.
