Raising The Stakes With Scifi

by Shelt Garner
@sheltgarner

I think I’m just about ready to get back to working on a few novels. The one novel I’ve been working on the longest — the one that is meant to be part of a six-novel project — is set to be reworked significantly. The chief reason is that the stakes simply aren’t very high at the moment.

The novel is just about one woman’s obsession with owning a small town newspaper. That’s it. But I’ve decided that by leaning into an already-there scifi element of the novel that I can significantly raise the stakes. And, to a certain extent, I can give the novel something of a trick ending, cueing up the next novel in the series. (Which, at the moment, is much more of a traditional murder mystery.)

As part of that, I’m going to have to sit down and rewrite a whole lot of the novel, which is going to slow me down. My goal is now to query something, anything about a year from now.

Ultimately, the six novel series I’m working on will produce an American Lisbeth Salander.

Of course, there continues to be the issue of stripping being a big part of the novel. This is going to make a lot of literary agents blanch, I’m afraid. But that’s my vision for the novel, so there you go. And, what’s more, I still have a few other scifi novels rolling around in my mind that I my piviot towards if all else fails.

Something that doesn’t have the spicyness that the main, passion project novel currently has.

But I am well aware that if I don’t hurry up, I’m going to be in my 60s before I become a published author, if I ever do. And I am well aware there are many, many, MANY reasons — on the face of it at least — why I will *never* get published.

I’m too old. Too bonkers. The list goes on.

Yet, you have to have hope, you know?

One thing I continue to worry about is, of course, the whole Trump situation. I refuse, however, to just be in neutral until the election. I have to get something, anything done. So, starting today, I’m going to stop mulling things so much and start to read, watch and write what I can.

On Writing

by Shelt Garner
@sheltgarner

So. But for how my “readers” balked at the amount of sex in the third draft of the novel I’ve been working on, I would be about to query it. But, alas, I apparently was too much of a hornytoad and, so, here we are with me rewriting things AGAIN.

And, the more I work on this novel again, the more I realize there was some structural problems that I can address now. The novel has a darker tone now because I give my heroine a reason for doing some of the more….controversial…things she does: she’s an alcoholic.

I’ve come to believe that because of weird hangups so many people have about booze and sex that the only way to justify my heroine doing some of the things she does is to throw up my literary hands and say, “Ok, well she’s a drunk, ok!”

This is the general phenotype of the older heroine I have for a number of the novels before the heroine that will populate a new series is an adult.

And, I’m taking this opportunity to really rework and pair back some of the sexy time in the novel. I want this to be as mainstream a novel as possible. So, lulz, can’t have as much sex as I did before. It’s kind of annoying.

Of course, there is another element to this novel that makes it a vanity project — it’s about a woman’s obsession with owning a community newspaper. It’s kind of an origin story for two women who will be really important for six novels — at least.

The older heroine of many of the six novels I’m working on has a sleeve tattoo like Megan Fox sports here.

I’ve come up with a really interesting way to intertwine these two women’s lives over the course of 25 years. It’s just going to take a lot — A LOT — of work (and a number of years) to get it all worked out.

But the more I think about it, the more I realize how much I love all six of these novels and how much I am determined to write them all. You’d be surprised how snooty people with in the “writing community” can be when it comes to this dream — they think I’m nuts.

I’ll put a move on you…

They just can not, will not take a “long hair leaping gnome” like me seriously when it comes to such an ambitious project. This only causes me to dig in my heels more.

But, I will admit, I do have a few scifi novels that I want to work on, too. So, I think, in general, the point is — I need to use my time more wisely. I have to stop dicking around.

An ‘American Lisbeth Salander’

by Shelt Garner
@sheltgarner

Now, let me be clear — all of this is just a dream. And I’m so old that it’s highly unlikely that what I want to have happen, will happen. As it’s going I’ll be very lucky to get *one* novel written and published before I croak, much less six novels that begin a series about an “American Lisbeth Salander.”

Lisbeth Salander.

It just takes a lot of time and six novels is a lot of work and words.

But the dream I have is — I want to show the audience why my “American Lisbeth Salander” is fucked up by showing in a series of books that depict about 25 years of her personal history the events that lead up to what would otherwise be the first two books in the series about her.

This happened in large part because Trump managed to lose in 2020. I had two novels (joined together by a cliffhanger) that I wanted to use as an allegory for the Trump era (Trumplandia, if you will) but he lost and so…I felt a bit forlorn.

Then I realized I had so much backstory about this character I loved that I might as well go backwards in time and show, exactly why she is so fucked up like Salander.

The heroine of many of the novels in the six novel series I plan is older than Lisbeth Salander and has a sleeve tattoo like Megan Fox does here.

I have a vague idea of making sure that my heroine is in the same universe as Lisbeth Salander so, I don’t know, maybe if things went great there might be a crossover at some point? That would be pretty sweet.

My heroine is, if I have the ages in my head right, a bit younger than Salander is supposed to be. But she’s a very, very, very different person other than how fucked up she is for reasons that the reader will be intimately acquainted with by the time she really appears and becomes front and center in the series.

I think, ultimately, my “American Lisbeth Salander” will kinda sorta look like Corrie Yee in my mind. Maybe. Not a perfect 1-to-1. But sorta.

I think what I need to do is start to work on the other novels in the series, too, so that might speed things up some. There is one book that if had any resoruces at all I would write but, alas, I just don’t think it’s going to be possible. So, I think it’s going to be six ~100,000 word novels in the same universe that I will have an open ending so we can expect more from my heroine.

It’s all a lot of fun.

And I would be about to query at this point, but for the fact that the third draft was a lot more “spicy” than it should have been and my readers balked flat out reading it after a point. So, back to the drawing board. Now, I think I won’t query this novel until the spring — that’s the goal, at least.

Time To Look Over The First Three Chapters Of The Novel Again

by Shelt Garner
@sheltgarner

So. It seems like it’s time to look over the first three chapters of the thriller I’m working on yet again. I’ve decided to do a major rewrite of the novel that leaves much of last third in tact. So, things should move a lot quicker than they might otherwise.

The endgame of the series is a character like Lisbeth Salander that would go on adventures.

That, at least is the goal.

I hope to get a solid first three chapters done in a few days. Then, I should be able to zoom through the first act pretty quickly. Then, of course, I’m going to have to totally rework the first half of the second act.

It’s going to be a real pain.

But worth it.

Though, I have to admit, I continue to grow more and more uneasy about what the world will look like in late 2024, early 2025.

The Mystery Of My Novel’s Word Count

by Shelt Garner
@sheltgarner

For much of the development of my first novel, I’ve dealt not in words as my metric, but scenes. So, here I am, just about to wrap up a solid third draft of the novel and I honestly have no idea how long it is — at least in terms of words.

In general, your scenes are supposed to be about 1,000 words on average. Just eyeballing the scenes and their length found with this novel I…dunno. My fear is that I’m going to pay a little too much of an homage to Stieg Larsson and the novel will be ~160,000 words.

The idea of it being that long makes me wince.

A first novel is SUPPOSED to be somewhere between ~80,000 and ~100,000 words. The second draft of this novel came in about just about 80,000 words. A few things led to the second draft potentially being longer.

One is, my beta readers said I crammed too much into the first act too quickly. So, that got me thinking about how I could stretch out the beginning of the novel so readers wouldn’t feel overwhelmed. What I didn’t expect was I would spend months and months spinning my wheels, trying to figure out the details of this new, extended first act.

Finally — FINALLY — it occurred to me that for the purposes of giving the novel a clearer point that I needed to split the novel into two. The first novel would be about my heroine’s quest to own a small town newspaper in Virginia and the second novel would be about her investigation into a murder that took place in the third act of the first novel.

This plan has worked out really, really well. My first novel now has a very clear purpose and objective for its heroine — owning a small town newspaper. Everything else hangs off of that goal in a really cohesive, coherent manner.

But.

The issue of how fucking long this novel is going to be continues to linger in my mind. I just don’t know. If it’s about 140,000 words, then I will be cool with that because the novel The Girl On The Train is about that long and was a success. Anything beyond 140,000 and…I dunno what to tell you.

I suppose what I can do is just accept that the novel is on a structural basis too long. While I will still query it, in the back of my mind, I will understand that my best shot at getting published will be the new scifi novel I’m working on that is built from the ground up to be as marketable as possible.

That’s the goal at least.

But it’s still sinking in that I’m on the cusp of finishing my first novel. It’s really deep! After all these years of drifting towards my goal, I’ve just about reached it.

Now watch me drop dead like Stieg Larsson. Ugh.

I’m….Almost Done With My First Novel?

by Shelt Garner
@sheltgarner

I have been going through an iteration of the third draft of my first novel at a pretty nice clip. I will probably wrap up SOMETHING pretty soon. It may take a little bit longer than expected because the second half of the novel is not as polished as the first half, but, in general, I am on track to having a “finished” first novel no later than July 22, 2024.

I hope my first novel is as compelling and accessible as Stieg Larsson’s The Girl With The Dragon Tattoo.

The old adage is that all novels are never finished, only abandoned and I understand what it meant by this — this novel is never going to be perfect. There’s always going to be a scene that I feel could be better worded or structured.

But, in general, I’m really pleased with what I’ve come up with.

I have a lingering concern that the novel may be too “racy” for the woke cancel culture mob, but I have settled on a vision for this novel and, as such, my heroine is a part-time sex worker (stripper) during the course of the events of the novel.

I understand how that element of the novel could be…controversial…but it really helps to not only add an unexpected element to the novel, but to flesh things out in general. The sex worker element of the story adds conflict and tension that would otherwise not be there.

But the potential problems with this element of the story has prompted me to really plunge into the backup scifi novel concept I’ve been thinking about. In fact, all I have to do before I start writing the first draft of the novel is sit down and do some character studies.

It is very possible that I will begin the querying process for the main novel in a few months. I have to admit I’m at a loss as to what I’m going to do about that. And, of course, there’s a chance that just as I’m trying to query my first novel, all hell will break loose as The Fourth Turning / The Petite Singularity happen starting in late 2024, early 2025.

But who knows. I can’t predict the future. Anything might happen. And I have to accept that successfully querying my first novel will be like winning the creative lottery. And, yet, the whole point of writing a novel to begin with was to have something bigger than myself to think about.

These Novel Writing Projects Are Existential

by Shelt Garner
@sheltgarner

It is becoming more and more clear to me that I could be nearly 60 years old before I become a published author — if that even ever happens. What’s more, it’s also clear that there is a pretty good chance that if the Petite Singularity doesn’t make all my hard work moot, that some sort of severe political crisis starting in late 2024, early 2025 might just do the trick.

My dream is that my “passion project” main novel is as accessible and popular as Stieg Larsson’s The Girl With The Dragon Tattoo.

And, yet, here I am determined to keep going with two different novels that I’m working on.

The key thing is that I manage my expectations. I’ve decided on an existential basis that I’m willing to use what little time I have left on this planet to at least TRY to become a published author, problems and obstacles be damned. I have a huge chip on my shoulder about my writing ability and I want to the validation of getting the approval of literary gatekeepers.

Having said all that, I am really working on my backup scifi novel. The main novel, the “passion project” has problems because its heroine is a part time stripper at club that she owns. I am WELL AWARE of how problematic this may be to younger people — especially women — but I really like how unique and unexpected this part of my heroine’s personality is and so, lulz, fuck it.

Meanwhile, the backup scifi novel is built from the ground up to be as marketable as possible. That’s the goal, at least.

In an ideal world, one of the two novels will sell and I could use the popularity of one novel to get the other novel published. But I have my doubts about if such a cross-pollination of success is possible, given that the two novels are of such different genres.

Anyway. I am pleased with what I’ve come up with and the goal is to wrap up a final third draft of the “passion project” novel no later that around July 22.

Am (Almost) Querying: Now What

by Shelt Garner
@sheltgarner

It has occurred to me that there may be a problem with my plan to have a backup novel that is meant to be a lot more marketable than the main “passion project” novel — the two novels are different genres.

My main “passion project” novel is meant to be an homage to Stieg Larsson’s The Girl With The Dragon Tattoo.

I don’t know how much of this problem is in my own mind because I’m overthinking things and how much is real. My theory of the case is it will be easier to sell the scifi novel — then I will use the success of that novel as leverage with the thriller novel.

My concern is, of course, that the two novels begin different genres will cause their paths to be mutually exclusive. But I think I’m overthinking things. I think the concept is still valid — if I use one novel to get an agent, I can leverage that success to sell the other novel.

Or, I suppose, I could just throw up my hands in despair because “everything sucks” and I’m too old to ever have any additional success in life. But I’m just not prepared to admit defeat just yet. I’m going to keep going because no one can predict the future.

I’ve learned a lot about developing and writing a novel from the main “passion project” and I’m hoping that those skills will allow me to develop and write a scifi novel far more rapidly than the mystery thriller. I’ve already seen evidence of that with the mystery thriller.

I hope to wrap up an outline of the scifi novel pretty soon. I’m just about to wrap up the latest iteration of the third draft of the novel. Once I wrap that up, then I am going to find myself at a crossroads. I don’t quite know what I’m going to do in the near term, but I’m sure I’ll think of something.

Why Has It Taken Me So Fucking Long To Get To This Point With The Novel?

by Shelt Garner
@sheltgarner

I am now lurching towards wrapping up my first novel after years of working on it. I am taken aback by how long it has taken me to get to this point. Reviewing in my mind the journey that got to me to this point I have come up with some observations.

Mood.

One is, I simply had no idea what story I wanted to tell. I spent some time thinking I wanted to write a scifi novel, but that turned out to be just to huge and I shelved it. Then I pivoted to the idea that I wanted to write a mystery-thriller that would allow me to make some political and social commentary about the Trump Era.

But I spent a lot of time just spinning my wheels on that one and I was still spinning my wheels when I realized in early 2021 that because Trump was no longer POTUS that my original intent for the story was no longer as timely. It occurred to me that I had this massive backstory about the novel I was working on at the time and it would be interesting to tell the very beginning of a 25 year tale that would end with the novel I had originally wanted to write about the Trump Era.

Once I got to that point, things began to move a lot quicker, even as the project went from one novel to two, and ultimately six.

I hope to write a novel that is as accessible and popular as The Girl With The Dragon Tattoo.

And then something curious happened. I had planned to begin the third draft of the novel in September, only to spend months just spinning my wheels in the first act. I just could not figure out what I wanted to do with the first act of the novel.

There came a point when I realized that there was a way where I could write a novel that made sense and yet was totally different than what I had originally planned. It would require me to expand what was the first act of the novel into two third of a new novel and using a chunk of what had been the end of the first act and the beginning of the second act of the second draft.

This is the point where things changed dramatically for the story. It occurred to me that it would be very provocative if I leaned into something only alluded to in the second draft of the novel — the idea that the heroine owns a strip club. As such, I decided to have the heroine not only own a strip club but, for the duration of the novel, on occasion strip, too.

Now, clearly, if I had a wife or a girlfriend who was a Reader who could tell me “no” I probably wouldn’t have decided on such a strategic change to the plot of the novel.

But I don’t have that. So, lulz, I’ve come up with a really compelling story that MAY have too much sex in it to ever get published. But I don’t know yet. I’m too obsessed with finishing a novel of some sort that I am going to wait until I finish the third draft of this novel before I make any assessment like that.

And I continue to want to work on a backup scifi novel just in case my fears about the main novel being too “spicy” turn out to be correct. Then there is the issue of me being too bonkers for any literary agent who does due diligence on me so, well, there you go.

Is My Novel Too Spicy?

by Shelt Garner
@sheltgarner

Now that I’m racing through the second act of the third draft of my first novel I find myself mulling some Big Issues. One is the idea that this novel may be a bit too spicy. My fear is that I am using sex scenes as a crutch. And, yet, I once saw a quip from someone where they said characters in novels have much, much more sex than people in the real world.

So, I don’t know.

Having said that, I do really think this is a pretty damn good novel, all things considered.

Another issue that I worry about is the fact that I’m a smelly CIS white male who writes about a same-sex relationship between two women. Now, obviously, the late Stieg Larsson did the same thing with the novels he wrote before his death.

But things have changed over the last 20 years and there is a real concern that, by definition, there is a real chance that no matter how good I am with writing the novel that should I sell the novel that a whole slew of earnest young women will produce Tik-Tok after Tik-Tok complaining that I wrote what I wrote.

As I keep saying, I just find women far more interesting to write than than men. Writing female characters is such a challenge that the struggle to present women in a believable way as a male author is something I really like.