by Shelt Garner
We are rushing towards a day when humanity may be faced with the issue of the innate monetary value of human created art as opposed to that generated by non-human actors. If most (bad) art pretty much just uses a formula, then that formula could be fed into a chatbot or eventually an AGI and….then what? If art generated by an chatbot or an AI equal to a bad human generated movie…does that require than we collectively give more monetary value to good art created by humans?
While the verdict is definitely still out on that question, my hunch is that the arts may be about to have a significant disruption. Within a few years (2029?) the vast majority of middling art, be it TV shows, novels or movies, could be generated simply by prompting a chatbot or AGI to created it. So, your average airport bookstore potboiler will be written by a chatbot or AGI, not a human. But your more literary works might (?) remain the exclusive domain of human creators.
As and aside — we definitely need a catchy names to distinguish between art created by AGIs and that created by humans. I suppose “artisanal” art might be something to used to delineate the two. But the “disruption” I fear to the arts is going to have a lot of consequences as it’s taking place — we’re just not going to know what’s going to happen at first. There will be no value, no narrative to the revolution and it will only be given one after the fact — just like all history.
It could be really scary to your typical starving (human) artist as all of this being shaken out. There will be a lot of talk about how it’s the end of human created art…and then we’re probably going to pull back from that particular abyss and some sort of middle ground will be established.
At least, I hope so.
Given how dumb and lazy humans are collectively, human generated art could endup something akin to vinyl records before you know it. It will exist, but just as a narrow sliver of what the average media consumer watches or reads. That sounds rather dystopian, I know, but usually we gravitate towards the lowest common denominator.
That’s why the Oscars usually nominate art house films that no one actually watches in the real world. In fact, the Oscars might even be used, one day, as a way to point out exclusively human-generated movies. That would definitely be one way for The Academy to live long and prosper.
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