by Shelt Garner
It’s taken about two years, but I finally come up with method of development that works for me — I have an outline that I obsessively update as my July 4th weekend deadline approaches.
The main thing is balance character, plot and, like, uhhh, an investigation? If I can have those three things in equal measure, I’m going to be ok. I have no idea what I’m doing with the police procedural aspect of the story, but I can learn. I can, read, after all.
I talked to an FBI PR guy recently and he helped a huge amount. I’m probably going to give him a shoutout in the Author’s Note. He didn’t like it much when I asked about The Company, though. But that’s a crucial (in a sense) aspect of the story I’m developing. I like flipping the script and it seems it would be fun if, in a James Bond kind of way, The Company and its affiliate spooky eyes were “the Good Guys,” given how much fucking Trump rants about them.
I can feel myself itching to get back to writing. But I have some slack still in my development timeline, so I can hopefully with a rather clear head go through the outline and get myself where I need to be before my deadline.