by Shelt Garner
@sheltgarner
But for my broken ankle, I would probably be zoning out at a bar somewhere on the Eastern Seaboard on one my regular “Writer’s Retreats.” But, alas, I’m hobbled for the moment, so I have to make do with what I have.
And what I have is Syd Field’s “Screenplay.”
I have more than that, obviously, but this weekend, I’m trying to study that book so I can get some sense of how to properly structure the screenplay outline I’m half-assed working on as my current creative “second track.” I have a really compelling movie concept that I want to do something with as an method to “distract” myself from the main track of writing four novels.
But the only way I could get to this point was a lot of hard work on those four novels. Now that I know how *I* develop a big, overarching story, I can just reuse what I have discovered and use it in a different way — the different way of outlining a screenplay.
I still don’t know how to use Final Draft, though.
But that’s the second stage in all of this. The first stage is to game out the story as well as possible, then turn around and learn Final Draft.
I’m well aware that I probably need three solid completed screenplays to my name before I think about doing what I want to do — simply fly to LA for a few days and walk around, hoping my natural larger-than-life extrovertedness will “somehow” get me near a producer or something.
This IS EXTREMELY DELUSIONAL.
But it’s also how, as I understand it, Hollywood really works. You do your hard prep work, then hope for the best. It’s all in who you know, not what you know. I’m also well aware that 99% of the people in LA are writing scripts and have exactly the same idea I do.
My mom always told me I was special, though. Wink.
Right now, I have a strong scifi movie idea, a strong Wedding Crashers-like movie idea and MAYBE a screenplay based on The Impossible Scenario that I’ve been mulling a lot of late on this site. Maybe. I’m going to have to think some more about that third one. I also have the idea for a movie that I might be able to pitch to Seth Rogen because it deals with a film concept that he, also, is interested in. I just know how to actually pull it off, something he, to date, has not (apparently.)
The only problem with the Wedding Crasher’s style movie I have rolling around in my mind is, well, I’m not THAT funny. But I really like the concept — which I find hilarious — and maybe just by writing it, it could be the basis for a new version I wrote with someone else that was, like, actually as funny as the movie deserves to be.
Anyway, I’m kind of overwhelming myself with creativity, which is how I like it.
