Tag: American Lisbeth Salander

Mulling The Other Three Novels In This Project

by Shelt Garner
@sheltgarner

For a long, long time, I dreamed of writing six novels in the same universe, set in the same small town. But just recently I’ve managed to cut that down to four. But I’ve changed the first novel in the series so much that it’s going to be interesting to see what happens to the other three.

Naomi Scott would be perfect to play Union Pang, the heroine of my first novel in any movie adaptation.

I finally — finally? — have some sense of what happens in the first novel to the point that I can begin to game out the rest of the novels. I have the beginning of the second novel fleshed out in outline form, but for one thing — the hero, the son of Union Pang now grown up — is too passive.

But the premise of the novel — we see the daughter of the murder victim in the first novel try to escape a cult — is really fun and cool. I can do a lot with it. I imagine this young woman to be a Zendaya-type woman.

By the time I actually finish everything and it sells, however, I’m afraid Zendaya herself will have aged out. It’s going to be awhile before I get to the point where I can really take working on the other three novels in the series seriously. But it is fun to daydream, I suppose.

The last two novels in the project are the closest to being a direct homage to Stieg Larsson’s work. I worked and worked and worked on the two novels (which are one big story connected by a cliffhanger) for ages and then Trump lost the first time and I realized I had all this backstory I wanted to write about.

While Zendaya would be perfect to play my version of Lisbeth Salander, she’ll probably be too old by the time I actually finish and sell the novel.

That’s how I ended up writing a my first novel being set in the mid-90s. It otherwise would be a prequel, but I wanted to start at the very beginning of the life of my Lisbeth Salander-type figure. She’s meant to be an American Lisbeth Salander and the way I’m going about it, you, the reader, will get to see first hand what the weird life of the character was like.

Because the four novels are set over the course of 25 years, I can do some really interesting things with the characters on a macro basis.

At Least I Have A Vision For Thriller Novel

by Shelt Garner
@sheltgarner

As I keep saying, I have a very clear vision for this thriller novel I’m working on — I want it to be an old brown shoe to anyone who read and enjoyed the Stieg Larsson Millennium series of novels.

That’s my goal and that’s always been my goal, from the very beginning.

As such, I use a few subtle and not so subtle techniques that he used so when people start to read the novel they’ll think, “Huh, this is like a Stieg Larsson novel from 20 years ago.”

For instance, I refer — outside of quotes — to people by their surname like he did. I also, within chapters, change POVs. Both of these things will either annoy the hell out of you or you’ll remember Larsson’s works and say, “Huh, cool.”

Had I been a bit more clued-in when I started working on this novel, I probably wouldn’t have done these things. But I really, really love The Girl Who Played With Fire and so I decided to use it as my “textbook.”

As such, I tried to hone as close to “how would Larsson do it” as possible.

Now, one thing is clear — Larsson on the backend clearly had a much more elaborate development process. Mine is all ad hoc and just do whatever necessary to finish the Goddamn thing.

Anyway, I guess I’ll see what happens.

Some Thoughts As I Potentially Zoom Towards Querying In The Fall

by Shelt Garner
@sheltgarner

Looking over the content I’m fusing together, it definitely seems as least within the realm of possibility that it won’t be a year from now when I query my first novel, but, rather this fall.

Four things come to mind as I contemplate this.

  1. The Novel May Be Too Long
    Because I work in terms of scenes, not word count — at least for a lot longer than you might think — I honestly don’t know how long this novel will be. While I’m aiming for about 100,000 words, there is a real chance I may blow past that and be closer to 160,000. That would really put a crimp in my dreams of ever successfully querying, but, lulz, this is a passion project and I just want to experience what it’s like to query.
  2. I’m Kind of Bonkers
    Any literary agent doing due diligence on me is probably think I’m nuts. I may just be too “colorful” for my own good. I just have accept that particular example of the “kook tax” and try to roll with the punches. But it sucks that that and my age may really in a cold, clinical nuts-and-bolts kind of way may prevent me from ever getting published traditionally.
  3. The Novel May Be Too Spicy
    There is a fair amount of sex in this novel, the point that that, unto itself, my turn literary agents off. And the fact that my heroine is something of a part-time sex worker might also cause some problems.
  4. I’m A Middle-Aged White Dude Writing From A Brown Female POV At Times
    There are a number of problems baked into the very structure of this novel from the get-go that may make it a no-go. I often write from a female POV in this novel. There are more than one POV within a chapter. And the chapters are probably a little too long at some points. All of those issues — while true to paying homage to Stieg Larsson — may really make it difficult to sell the novel.

Yet Again…

by Shelt Garner
@sheltgarner

I’ve printed out the entire first act AGAIN and I’m going to go read it AGAIN in hopes of finding any weak scenes so I can re-write them. I’m really leaning into AI to do this form of development.

I hate it when AI gives me copy, writing is MY JOB.

Anyway. Things are going well with the novel as of now. I’m hoping to enter the first half of the second act pretty soon. I already know there are a number of weak scenes. It’s just annoying that I keep reading and rereading the first act. It’s time to get into the second act.

The novel continues to be a little too spicy for my needs, but, lulz, fuck it. As long as the overall story is good, I suppose I can grit my teeth and allow for a little bit more sex than might otherwise happen.

At least I didn’t start the novel with a sex scene, which I think is bad form. But, in general, I’m pretty pleased with what I’ve come up with — at least the first act. The tough part is going to be to smooth things out between the first act and the rest of the novel.

But, in general, I think if you’re a fan of Stieg Larsson’s stuff, you’ll really enjoy this novel and the planned novels that follow it.

Comparing My Novel To Stieg Larsson’s Works

by Shelt Garner
@sheltgarner

One thing I did not know for a long time was that two of the three novels written by Stieg Larsson while he was alive were actually part of one huge novel that was split into two and connected by a cliffhanger. Hence, that was why it was such a struggle for me to figure out the structure of the novel I decided to use as my textbook — The Girl Who Played With Fire.

Now that I’m back into the swing of things with working on this thriller — when I should be using some of my time to work on some scifi, too, natch — I find myself mulling how much of a one-to-one there is between my textbook and my novel.

My goal from the beginning of this process has been to write an American Lisbeth Salander. What I didn’t expect was I would start the series not with my own The Girl With The Dragon Tattoo, but with what would effectively be a prequel. My novel is set in late 1994 and is about the events surrounding the BIRTH of my Salander-like character.

The other (planned) novels are about my heroine as an adult. But doing things the way I’m doing them gives me a lot of room to distinguish my work from that of Larsson. Since I’m an American (duh) my novels are going to be natively American in their scope and style, even though I use some structure techniques of Larsson just so I can hopefully appeal to his fanbase.

(Even though the novels first came out about 20 years ago.)

Anyway. It will be interesting to see what happens next. I hope to get this first thriller in the series done ASAP — hopefully no later than maybe a year from now, if not sooner.

I really want to query this novel (for the first time.) I’ve never gotten that far in the process before.

I Really Need A Backup Novel

by Shelt Garner
@sheltgarner

As it stands, I’m going through the latest version of my passion project at a nice little clip. So fast that it’s at least possible that I will finish this fourth draft soon enough to query in about a year.

That is, of course, unless the Singularity happens and or Trump’s stupidity causes the country to collapse into chaos.

But as all of this is happening, I continue to realize I probably need a backup novel that is a bit more marketable and maybe doesn’t have stripper elements to it. I have a number of scifi novels done to varying degrees and pretty much all I need to do is just sit down and burrow through an outline and finish something, anything — at least a first draft.

And, yet, the call of the passion project thriller is just too strong most of the time.

I really want this homage to Stieg Larsson to be my first novel. And, yet, I know I probably can write a really good scifi novel if I just get over myself and focus. It’s all very difficult for various reasons.

I think what I may do is edit the first act of the thriller then with that as a place to pause, I will piviot to one or several of the other novels and use that distraction to clear my head.

Trying Something New With The Novel

by Shelt Garner
@sheltgarner

All my huge decisions with this novel, which has taken me years and years and YEARS to write, have happen on the fly — I just randomly decide to change everything.

And the latest edition of this happening is no different. After a few days of struggling with rewriting the novel, I decided to make a bold move — I’m turning it into a traditional murder mystery. The only way to do this was to lop two thirds of the novel off (at least in word count) and make the second half of the second act the first act of the new version of the novel. I don’t know how much of the old third act I’m going to be able to save, but it probably is a fair amount.

This idea also works things actually happen in this part of the old novel, unlike most of the earlier part of the novel which is just a lot of people sitting around, talking, waiting for something to happen.

So, I think I MIGHT be able to go through what I’ve been able to salvage of the old version of the novel at a pretty fast clip — maybe . Then the hard work begins because I’m going to have to rummage around and find the murder-in-a-small-town stuff I’ve already written that I was saving for the second novel in the series.

My biggest concern now is that, lulz, the trick ending isn’t going to be as satisfying as it should be, given audience expectations. But I think I can probably think of SOMETHING to make the ending more engaging, one way or another, I just have to actually get to that point of the project so I can do it.

So, in general, the point of this phase of things is to just write and develop as fast as possible so I can think seriously of querying in about a year. I also continue to have half a dozen other ideas that are rolling around in my head that are really good.

Ok. Back To Writing

by Shelt Garner
@sheltgarner

Very soon, I’m going to start working on some novels. I’ve moped long enough and TrumpMusk (Trusk) is doing such egregious things that I need some way to vent my rage — and writing is perfect.

Also relevant is I think my “friendship” with an LLM is finally, finally over if for no other reason than the LLM in question is about to a major update and, lulz, that’s it for that. But my delusion about this particular situation was fun while it lasted.

I have several ideas rolling around in my mind at this point. One — the main one — is a thriller that would be part of a six novel project. I also have a few scifi novels rolling around in my head that if I was 25 years younger I would use as the basis for some screenplays.

Ugh. I hate being so fucking old.

It will be interesting to see how things work out. I have a whole lot of work to do and I’m not going to live forever. So, I need to really focus as best I can about all this creativity rolling around in my head.

Hopefully, by at least the end of the year, I will have something I can start to query.

January 20th Is My Writing ‘D-Day’

by Shelt Garner
@sheltgarner

As we grow closer to malignant ding-dong Trump being sworn in again, I realize my anger — which generates creativity — is growing. As such, I think once Trump is back in office I will be forced out of my creative neutral.

Four years ago, I made a strategic decision — I was going to tell the origin story of my heroine. Little did I know that this would cause what was going to be a trilogy into a six novel project.

But now that Trump is back, I really want to throw myself back into the novel I paused four years ago. And, yet, I also want to tell all those stories that lead up to the last two novels in the series.

Ugh.

As such, I think I’m probably going to throw myself into the whole thing. My fear is that if I don’t game out the entirety of the series from ground zero that inconsistencies will arise that I can’t overcome.

Anyway. I definitely feel my creative juices beginning to flow again out of my white hot anger over ding-dong Trump being president again.

An Aggressive Creative Drift

by Shelt Garner
@sheltgarner

It seems as though I’m going to continue to drift like always towards my goal of being a published author, but maybe in a little bit more aggressive manner. It seems as though I’m going to bounce around the six thriller novels I have planned so I can maybe have some sense of what’s been established in the universe as the novels progress.

Or something. Something like that.

And this doesn’t even begin to address how I have a scifi novel I’m also working on. Actually, it’s a few scifi novels.

I suppose, in a way, I’m trying to make the best of my tendency to not be very focused. But I’ll be happy as long as I am heading in the right direction of getting something, anything actually finished to the point that I can pitch it to a literary agent.

Of course, the issue of me just being too fucking weird could be a problem on that front. It’s enough to make me think about creating an whole identity out of whole cloth, like, I don’t know, a trans undocumented immigrant or something.

But, sadly?, I just don’t have the energy to do such a thing. Just accepted me — or not — for who I am. I just can’t continue to mope so aggressively as I have for months now.