Tag: The Girl Who Played With Fire

The Name Game

by Shelt Garner
@sheltgarner

I try to do what is right, I really do. And when it comes to developing and writing a novel, there are all the unexpected landmines floating around that you have to avoid.

Lisbeth Salander is the type of name that is so great I wish I could think of something as strong.

One is the subject of names.

In general, I feel pretty safe with all of my character names. And YET it is inevitable that somehow, someway along the process there might be a hitch. There is one character — a huge character in the project six book series, in fact — who has a surname that MIGHT be a problem.

S1-D13-_-Pang-_-mysterious-postcard-RCL-work-day-1Download

But I’m really, really being paranoid, all things considered.

And I’m not attached to that specific name. If I have to, I have a few backup names I’m willing to switch to. I’m very pragmatic about such things, I just want to be a published author and if it requires a significant rethinking of some element of the six novel project to become one, so be it.

In general, things are going pretty well with this first novel. I’m rather pleased. I just have to press forward. I can’t keep just driving towards my goal. I have to give my life focus and structure if I’m going to wrap this thing up by no later than around July 22th.

The Final Countdown (For The First Act Of The Third Draft)

by Shelt Garner
@sheltgarner

As far as the first act of the novel goes, I’m just about to the point where there — hopefully – won’t be too much change on a structural basis. As such, that will really aid in editing and writing the rest of it out.

My novel is meant to be a homage to Stieg Larsson’s Girl With The Dragon Tattoo.

Once I reach the second act, then things will slow down again because even though I know, in general terms, what the story is, I’m far from locking things down. But the general “Fun & Games” part of story — the first half of the second act — is, in general terms pretty stabilized.

One structural problem I have is the first half of the novel may be significantly longer than the second half. I don’t quite know what to do about that. And I’ve had at least one Reader suggest that my chapters are too long. While I understand where the person is coming from, they were the only person to complain about the length of the first chapter and Stieg Larsson’s chapters were about the same length — if not longer — than what I showed them.

And, really, shit to do with chapters is something that can be figured out in post-sale, post-production.

I just need to get the story done. And the word count is something I really worry about at the moment. I hope that I can come in at no more than 140,000 words — the length of The Girl on The Train — but I fear it will be closer to 160,000 words, which would be about the length of a Larsson novel.

My heroine looks like Nathalie Emmanuel as I write her.

But, in general, I’m very pleased with what I’ve come up with. One concern is how much sexxy time there is in the first act, so I’ve decided to embrace the issue by suggesting my heroine is a sex addict. So, rather than, being coy about that particular element of the story, I hope readers will simply accept — “Oh, ok, I should accept a lot of sex in this novel.”

The whole second half of this novel is in a great deal of flux. Especially in regards to the third act — I have only the vaguest idea of what is going to happen.

But, in general, things are moving a lot faster than they have been. I have to admit that I’m kind of embarrassed by how fucking long it’s taken me to get to this point. But, I’ve been doing all of this in a vacuum and that slowed me down a great deal.

I Have A Pretty Great Novel On My Hands

by Shelt Garner
@sheltgarner

I have very, very high standards for myself when it comes to storytelling. To the point that it’s very, very difficult for me to consume anyone else’s storytelling if it doesn’t meet what I believe is the quality worth my consumption. I’ve just started watching House of Cards and it is one of the few TV shows that actually DOES meet what I think is the “right way” to tell a story.

My heroine looks like Nathalie Emmanuel as I write her.

It joins TV shows like Mad Men, 30 Rock, Mare of Easttown and Fleabag as TV shows that linger in my mind as I struggle to write my novel.

Having said all that, I’ve finally reached a point in the development and writing of the third draft of this novel where I feel I’m coming into my own. This novel is really fast paced and accessible. While there are some obvious issues — it’s still not dark enough and there’s probably too much sex in the first act — the actual characters and what their motivations are really strong, interesting and intriguing.

Now, for me to sprint to the end of the first act, beginning of the second act which was the first act of the second draft of the novel. I’ve been re-writing a lot of the novel as I’ve transition from the second to third drafts and that has slowed me down.

But I’ve gamed out the entirety of the fourth chapter of the third draft and I think I’m going to cool it for about a day so I can throw myself into writing it all as quickly as I can with fresh eyes. I don’t want to “run hot” and overheat and over extend myself.

In general, however, this novel is beginning to shape up in a way that I feel I won’t embarrass myself when I try to query it later this year.

A lot is going to depend on luck now, I think. Given my vision for the total of six novels in this project if ding-dong Trump becomes POTUS again and we turn into an autocracy, then, lulz, I think this is going to be a very successful series of novels.

Ah ha! I’ve Finally Figured Out What Hollywood Star My Heroine Looks Like — Nathalie Emmanuel

by Shelt Garner
@sheltgarner

I’ve finally found who I’m thinking of in my mind as I write my heroine and her adventures in my first novel — Nathalie Emmanuel.

Nathalie Emmanuel

My hope is, of course, that I will write a heroine who is as interesting as Stieg Larsson’s Lisbeth Salander. It will be interesting to see how things ultimately work out. A lot of writing a successful novel is just dumb luck. So, lulz, I could write The Bible and because I’m a smelly CIS white male writing from a female POV at times….the woke cancel culture mob will pillory me.

The dream is to write a character as interesting as Stieg Larsson’s Lisbeth Salander.

I Suspect Hollywood Will Love The ‘Part-Time Sex Worker’ Element of This Novel

by Shelt Garner
@sheltgarner

Whenever I get a little nervous about having my heroine be a part-time sex worker — stripper — I remind myself how freaky most Hollywood actresses are. And, what’s more, I don’t even really have anything all that bad happen to my heroine compared to, say, what Stieg Larsson puts Lisbeth Salander through….Jesus Christ.

So, I think that while a certain portion of the reading public will be turned off by this particular element of my heroine’s character, the people who might actually one day adapt it into a movie — if it ever became that popular, natch — will really dig it.

Having her occasionally strip to relax adds a lot of complexity to her character and evokes an emotional reaction of some sort, which is what all good storytelling does. I am well aware of how some people will want to throw the book across the room the moment they realize that it’s a smelly CIS white male writing from a female POV instead of an undocumented trans woman, but, lulz, slings and arrows and all that.

It will be interesting to see what happens, regardless.

I’ve Tentatively Locked Down The First Chapter Of The Third Draft Of The Novel

by Shelt Garner
@sheltgarner

I have handed out the first chapter of the third draft of the novel in an effort to sort of force my hand. I have to lock down things sooner rather than later or I’ll wake up in a year an be exactly where I am now.

My goal is to write a novel as popular as The Girl With The Dragon Tattoo.

So, I am going to chill out for a little bit today then sit down and see if I can flesh out chapters two and three. Then, I can use the first three chapters as a cornerstone for the rest of the novel and things will go really, really fast. That’s the hope.

The big issue is word count. At the moment, I’m hoping to come in at no more than 140,000 words. My fear is that I’ll be closer to 200,000 words. If that happens, then I’m going to split the novel into two.

A first novel with 200,000 words is just too fucking long. I would never be able to get a first novel of that length published. So, like I said, splitting the novel into two would probably be the best option.

And I also need to start working on the various scifi novels I have floating around in my mind. I really need to stop daydreaming about these stories and start writing them.

Once I Stabilize The First Three Chapters Of The Third Draft Of This Novel, Things Should Move Really Fast

by Shelt Garner
@sheltgarner

I am so close to stabilizing the first three chapters of this novel to the point that things might start to go really fast. One huge problem I face is I’ve so forked the story from what it was intended to be in the second draft that I have a huge amount of writing, rather than editing, ahead of me.

My dream is to write a novel as popular as Stieg Larsson’s The Girl With The Dragon Tattoo.

I’m going to have to just throw everything up in the air and reimagine a lot of the novel on a specific basis, with the third act really being something I have to work on. The third act of the second draft s u c k e d. It was horrible. So these days I spend a lot of of my time thinking in the back of my mind about how I can straighten out some serious problems in the third act.

Anyway. My storytelling and writing ability have both gotten significantly better. Some of it is I’ve being using AI some to help develop the novel — but not write it — because I’m doing everything in a vacuum and I have nothing to go on but my gut.

And sometimes my gut just doesn’t cut it.

But, in general, I’m very pleased with what I’ve managed to come up with. One key thing I have to do is stop being such an absolute perfectionist. The point is to finish a third draft THEN go back and edit it some. This business of forking the Goddamn thing all the time has got to stop.

This Novel Is Getting Really, Really Good — But It’s Long

by Shelt Garner
@sheltgarner

I’m just about to leave the willfully delusional stage of developing and writing this novel and enter the “Holy Shit, now what” stage. I have to start thinking about different metrics than I have for the last few years. I have to start thinking about, well, among other things, the physical cost of printing the damn thing if I manage to miraculously sell it.

As such, I have to keep in mind that I could write The Bible, but if it’s too many words I probably am not going to successfully get a literary agent. I keep thinking about how The Girl On The Train is about 140,000 words and how I can probably meet that.

But this is my first novel and first novels are supposed to be closer to 100,000 words. Ugh.

What’s more, the murder that pushes us into the “special world” doesn’t happen until about 60 scenes in. In most murder mysteries the body is discovered either on the first page or serves as the “inciting incident.” All I can say is Stieg Larsson structured The Girl Who Played With Fire the way I’m doing this novel….so….lulz?

A Day To Reflect

by Shelt Garner
@sheltgarner

I was running hot with the novel again so I’ve decided to chill out today. I’m already seeing results because when I casually looked over the novel some today I saw a number of ways to make it better that I had not thought of before.

No longer a bar fly.

I continue to be clean sober. That I am able to pull this off so abruptly is a testament to, well, my desire to live. My already know my blood is apparently sludge, which is a “Not great, Bob” situation. And I would prefer not to drop dead like Stieg Larsson did at 50.

I would prefer to live long enough to see the “cool stuff” of selling a successful novel.

I’m also watching the latest iteration of the Mr & Mrs. Smith franchise. It’s…ok? I’ve just started. It’s just so difficult for me to consume ANY media that I didn’t produce. So, so very difficult. But I’m forcing myself to go outside my comfort zone so I can get some sense of what modern audiences want, not the audiences of 20 years ago when The Girl Who Played With Fire came out.

Success equal to Stieg Larsson’s Millennium Series is my dream.

One thing I don’t like about the TV show already is it uses the “interview the characters” trope as a form of exposition. It’s cheap and often used to expedite the story because you don’t have to “show” character traits. But, so far, the story is good enough for me to continue to watch it.

I also plan on doing a lot of reading, too.

I may — MAY — expand my little creative reset to Sunday afternoon to mimic what would happen had I gone to NYC. I don’t know yet. There is a balance between recharging my batteries and losing momentum.

It Appears That The Novel Has Stabilized

by Shelt Garner
@sheltgarner

I have printed out a few chapters of the first act and now I hope to go through and make sure that the mystery-thriller elements of the story are evenly spread across as much as possible.

The basic scenes are fine, but I need to keep reminding readers that this is all leading up to a mystery-thriller Big Event that will make the novel a traditional thriller in the guise of The Girl With The Dragon Tattoo.

The structure of this novel is much more like The Girl Who Played With Fire, however. I have about 50 scenes of lead up to the event that kicks off the second act of “the special world” and gets us going into what the novel is really about — murder in a small town.

The biggest problem I have at the moment is I’ve changed so much of the first act that I have to accommodate those changes in the rest of the novel. That is really slowing me down.

But I need to stay focused. I know I have a really great concept, I just have to build it out in a way that the novel fits the genre of mystery-thriller. It doesn’t help, of course, that I’m just not very dark or twisted in my writing. I find it really difficult to write that way.

Ugh.

Wish me luck.