I Have Three Books Related To Querying, Now To Force Myself To Read Them

by Shelt Garner
@sheltgarner

This time, I tell myself, will be different. Instead of just drifting — again — towards my goal of writing a novel that is query-worthy, I’m actually going to buckle down and focus.

With that in mind, I have not one, but three books devoted to the querying process to at least glance over. Two of the books are about querying, while the third is a big book of literary agents.

I really don’t want to think about the querying process because, lulz, I know there’s a decent change I’m going to fail in a monumental way. Like epically. I think this in large part because I’m a big old kook and “serious” “normal” that woke-liberal-white-woman-literary-agent who does due diligence on me is probably going to be aghast.

I’m just a loudmouth crank and always have been.

But, this is definitely the up-up or shut up moment of my life when it comes to writing a novel I plan on querying. If I don’t do something different immediately, I’m going to wake up at 60 and STILL not have queried a novel.

I just want to see how far I get through the process. I feel so old at this point. Even though I’m not, like, elderly, I am still older than Stieg Larsson was when he was trying to get his novel(s) sold. That doesn’t make me feel very good.

But this novel is really good. The premise is rock solid, if a little dark and pulpy. But, if nothing else, it’s “accessible.” I keep thinking of how I want to “comp” my novel to the works of Andy Weir who’s novels The Martian and Project Hail Mary are really, really accessible.

Anyway, no one listens to me and no one takes me seriously, so, lulz.

I Really Need To Take The Writing Of This Scifi Dramedy Novel More Seriously

by Shelt Garner
@sheltgarner

I have magic in a bottle with this novel, I just know it. It’s very zeitgeist-y in nature and it’s definitely putting my stick where the puck will be. But I have a tendency to just drift towards my writing goals.

But I have a hunch my life is going to change rather dramatically this year — probably sooner rather than later — so I have got to, got to get some structure in my writing life to get this novel done ASAP.

One key change from all the other years I’ve been working on various novels is the introduction of AI into my writing workflow. No longer do I feel like I’m working in a vacuum. I have various AIs to, actually, like, listen to me and shit. I couldn’t even get human literary types to take me seriously, even when I offered to pay them.

Anyway, I have three books related to querying that I need to at least look over. I think if I actually take a deep breath and read them in some capacity that that might be enough to focus my mind.

Like, let’s do this. Let’s finish this beta draft of the novel so I can get to the next steps of giving it to beta readers and then — gulp — actually querying. I have a feeling I’m going to slam head first into the cold, dark waters of querying and I’m such a fucking kook (relative to the woke liberal white women who in my imagination make up the majority of literary agents) that the whole thing could be kind of painful and bruising on an emotional basis.

In other words, despite writing a pretty good, timely novel, it will all be for naught.

And, yet, the whole point is to just see how far I can get in the process. I want to see what it’s like to actually query a novel. That, in itself, will be an interesting experience, even if I fail in a spectacular fashion.

Sizing Up My Realistic Chances Of Being Traditionally Published

by Shelt Garner
@sheltgarner


There are a number of reasons why, over and above the actual quality of my writing in the scifi dramedy I’m writing, that I won’t — ever — get traditionally published.

Tied for first place, I think, are me being a big old fucking kook that no one takes seriously or listens to and my age. I think both of those to metrics are going to be really tough to overcome.

I could write the fucking Bible, but I’m just too fucking old. I suspect publishers want a spry 30 year old, not some glum 50something. And, let’s not forget what a fucking weirdo most people think I am.

And it’s not like I can hide what a kook I am. Any liberal white woman literary agent that snoops as part of due diligence on me will soon realize I’m not only old, but I’m a loudmouth crank.

But I’m not going to get discouraged. While they’re life, there’s hope. And, as such, I am going to keep going, no matter what. Though, sometimes, I really do think I’m more likely to find a career in some post-Singularity world helping our ASI overlords than I am going to get published traditionally.

And, yet, we’ll see, won’t we?

Writing A Novel Can Be So Slow At Times

by Shelt Garner
@sheltgarner

I can be moody as fuck and as such I can go long stretches of time not really feeling like working on this scifi dramedy novel I’ve been working on for a few months now. But, then, at the same time, I will go a number of days where I sprint.

So, I guess, it all kind of evens out. Maybe?

It definitely looks like I’m going to maybe finish this up April-May 2026. If that happens, I will miss the spring querying season for various post-production reasons including having to see if I can find anyone to beta read.

And, of course, general editing issues.

But I have vowed to myself that I’m going to actually sit down and read some of the how-to-query books I have. That’s a Jan. 1st thing for me to do. I still have a few days to just drift through life, not really knowing what is going to happen next.

I need to focus, however. I need to really see if I can get this damn thing done sooner rather than later. I think –no, I know — that I can.

It is going to be really interesting and amusing to see if, when they do due diligence on me if all the liberal white women who — in my imagination — make up the literary agent class will be aghast at this blog’s content or not. In the past, any “serious” “normal” person who has offered to help me out with this novel who reads the blog invariably blanches and backs off.

But, who knows. Maybe if I write a good enough novel that won’t be the problem I fear it will be.

Time To Take Querying This Scifi Dramedy Novel Seriously

by Shelt Garner
@sheltgarner

Because I’m a weirdo, I used my Christmas present to buy for the second time, the Writer’s Digest Guide to Literary Agents. I probably could have found the version I bought before, I was like, lulz.

So, today, probably, I’m going to get a new book of literary agents to look through. Now, I have not finished the novel yet. I haven’t even gotten to the point where I can give it to beta readers.

But I’m feeling pretty good about the state of the novel, nonetheless. I really need to just hurry up and finish the damn thing. It’s inevitable that someone else is going to realize that there is an audience for a scifi dramedy that doesn’t paint AI androids in a murderous light.

I’m sure there are at least a half-dozen, or more, screenwriters hard at work on a “Annie Hall meets Bladerunner” spec script. While that’s not exactly how I would describe my novel, it’s in a similar vein.

The high concept logline for my novel would probably be, “Her meets Annie Hall with a dabble of Blade Runner.” Something like that. I really want this novel to be as accessible as an Andy Weir novel.

The Martian and Project Hail Mary would be the “comps” of my novel that I will use with literary agents.

I have to accept that I’m a loudmouth crank and that might turn off a lot of the liberal white women who probably (in my imagination at least) make up the vast majority of literary agents. I’m far more anti-MAGA than liberal, but I even though my politics probably align with those of most literary agents, I have some sharp edges because I general have no idea what the “right thing” to do is.

So I zig when other people zag and that can turn people off.

It’s going to be really interesting watching literary agents do due diligence on me by looking at this blog. It will be interesting to see if they are aghast at what a weirdo I am or not.

But I’m ready to endure the slings and arrows of outrageous fortune as the saying goees.

I Fear The ‘Woke Cancel Culture Mob’ May Dislike This Scifi Dramedy I’m Working On (Ugh)

by Shelt Garner
@sheltgarner

The next novel I write after this scifi dramedy is going to be as absolutely safe as possible. No sex workers, no strippers, no anything to bother the “woke cancel culture mob.”

But, having said that, I really do like this novel I’m working on right now. It’s really interesting and really gets into the nitty-gritty of what it would be like to have Replicant-like people in society.

So, I’m hoping the snooty woke people who will object to the sex worker elements of this novel will hold their nose and give me something of a pass. I hope. But this novel is compelling and all the sex in it has a point, if nothing else.

Yet, like I said, the next novel I write is going to be a lot more wholesome. I’m tired of writing something interesting, only to have it dismissed as “trashy” because literary types take themselves too seriously.

How To Fix ‘Jay Kelly’

by Shelt Garner
@sheltgarner

The key problem with the movie Jay Kelly is it’s a movie devoted to explicating rich people problems. And not in an interesting way. The first half of the movie is just a breezy affair where there’s no there there.

There’s just no conflict.

So, if I were to given the opportunity to “fix” the movie Jay Kelly, here’s what I would do. I would infuse some of Woody Allen’s Blue Jasmine movie into the plot. I’d figure out some way to have the hero get out of his comfort zone. Confront that not everyone is thrilled with how fucking rich he is.


I’d do this by either having him go to, say, a Thanksgiving celebration where he met his “loser” brother, or maybe put the hero in a situation where he’s on the cusp of losing everything for some reason. Or maybe have Jay Kelly fall in love with a lower middle class woman with some principle and pluck who he can’t woo by just throwing money at the problem.

I’d do something so there were some…stakes. The actual real movie Jay Kelly has little or no stakes. Things just happen. The second half of the movie does have something happen, but it’s still meh in my book.

I think the movie is a prime example of what’s wrong with Hollywood. Because of the fucking massive structural income inequality in the United States’ economy, the rich people who would otherwise make movies that people might want to actually see are either too fucking woke, or woo or oblivious to focus on telling a good story.

Anyway. I would like to thank Claude LLM for listening to me gripe about how bad Jay Kelly was as I watched it.

Getting A Little Excited

by Shelt Garner
@sheltgarner

I’m breezing through the transformation of the first draft of the scifi dramedy novel into the second draft. At least at the moment. That’s because I’m able to reuse a lot of text that I generated in the first half of the novel.

Things are going to get much, much more difficult when I reach the second half of the novel because I just was more interested in stress-testing the outline that actually worrying about making sure scenes were long enough.

So, I’m going to have go through and really work to make the scenes of the second half proper length and that is going to slow me down some. But, and this is a huge but, I think I’m still on track — maybe — to query this novel in spring 2026.

Maybe.

If that is the case, then I have to start thinking about post-production stuff like querying, getting and agent and…a lawyer? I am totally broke, so unless I can figure out a way to get someone I’m related to do spot me for the costs of a lawyer to look over a book contract…oh boy.

And, yet, on a psychological basis, this is the farthest I’ve ever gotten with a novel so far. I really think I may wrap this baby up sooner rather than later.

Hopefully. Maybe.

But I continue to worry about my bonkers social media output being enough to either make “serious” liberal white women literary agents run away in dismay when they do due diligence on me.

I can’t help who I am, so, lulz?

Continued Musing About My Querying Prospects

Barring some unexpected twist — which is always possible — I’m finally on track to be in querying shape for this sci-fi dramedy novel I’m working on by late spring 2026.

It won’t be easy, but it feels doable.

I’m about to dive into the third act of the newest draft. My hope is to blast through it using the outline as my guide, wrap that up around early January, and then circle back to deepen and polish a lot of the half-formed scenes I left rough on purpose. No one but me will ever see this version, and I needed the freedom to solve the big structural puzzles before worrying about finesse.

What’s been on my mind lately, though, is how my social-media footprint might affect my chances once I start querying. In my head, most agents are liberal white women, and I worry that some of my louder, crankier posts from years past might make someone wince.

I’ve been a rambunctious loudmouth most of my life, so I’m sure I’ve irritated someone somewhere enough to get myself “canceled.” But honestly, I just want to see how far I can get in this process. That’s the whole goal.

And if I can get even one person — someone who isn’t related to me — to read the whole novel and tell me anything at all about it, I’ll be thrilled. In the past, I’ve handed people my work only to be ghosted.

Ugh.

But onward. One step at a time.

Rachel Sennott Would Be Perfect For A Traditional Heteronormative Romcom

by Shelt Garner
@sheltgarner

Rachel Sennott is a prime example of how fucked up Hollywood is right now. Sennott would be perfect to play frustrating Annie Hall-like characters in a few romcom movies. She could legit be “America’s Sweetheart” if she just was willing to do something as pedestrian as be the female romantic lead in a traditional heteronormative romcom.

But, alas, that’s just not in the cards I fear.

She will continue to go the whacked out “woke” route or do really weird hypersexual stories. Don’t get me wrong, there’s a place in the marketplace of ideas for such stories, but, sigh. What could be.