Tag: literary agents

A Little Uneasy

by Shelt Garner
@sheltgarner

I’m a little uneasy that my dream of being a traditional published author just is not possible. It’s may just not be possible because I’m too old, live in the middle of nowhere and am a self-avowed loudmouth crank.

I used to think I had enough “rizz” that “normal” people would at least humor me. But, now, I’m growing concerned that I could write the fucking Bible and the “normal” “serious” liberal white women who probably make up (or at least do in my imagination) most literary agents will take one look at places like this blog and run away from me as fast as possible.

I’m not picking on them. And it’s not really there fault — I just can’t help that I’m a kook. I am who I am and it’s taken me way too long to get where I need to be with this novel.

But, while there’s life, there’s hope, I suppose.

Getting A Little Excited

by Shelt Garner
@sheltgarner

I’m breezing through the transformation of the first draft of the scifi dramedy novel into the second draft. At least at the moment. That’s because I’m able to reuse a lot of text that I generated in the first half of the novel.

Things are going to get much, much more difficult when I reach the second half of the novel because I just was more interested in stress-testing the outline that actually worrying about making sure scenes were long enough.

So, I’m going to have go through and really work to make the scenes of the second half proper length and that is going to slow me down some. But, and this is a huge but, I think I’m still on track — maybe — to query this novel in spring 2026.

Maybe.

If that is the case, then I have to start thinking about post-production stuff like querying, getting and agent and…a lawyer? I am totally broke, so unless I can figure out a way to get someone I’m related to do spot me for the costs of a lawyer to look over a book contract…oh boy.

And, yet, on a psychological basis, this is the farthest I’ve ever gotten with a novel so far. I really think I may wrap this baby up sooner rather than later.

Hopefully. Maybe.

But I continue to worry about my bonkers social media output being enough to either make “serious” liberal white women literary agents run away in dismay when they do due diligence on me.

I can’t help who I am, so, lulz?

I May Have To Recalibrate When I Will Query This Scifi Dramedy Novel I’m Working On

by Shelt Garner
@sheltgarner

Just musing casually about the chronology of how I might get to querying next year, it seems that it may be Sept. 1st, rather than, say, May 1st. I say this because even if I wrap up this version of the novel by Jan. 1st, it could take me three months to rewrite a lot of scenes that need to be worked on.

Then, I have find beta readers — who will do it for free! — and then revise from their suggestions. That would get me closer to June-ish before I could query. And, as I understand it, there are two “seasons” to querying — spring and fall.

So I just don’t know.

It will be 20 years since I started ROKon Magazine in fall 2026, so that would kind of be apropos in sentimental terms. I really believe in this novel, I really do. And I want to throw myself all-in.

I want to make it the best it can possibly be before I query. And, yet, as they say, the perfect is the enemy of the good.

So, things are still up in the air some.

Continued Musing About My Querying Prospects

Barring some unexpected twist — which is always possible — I’m finally on track to be in querying shape for this sci-fi dramedy novel I’m working on by late spring 2026.

It won’t be easy, but it feels doable.

I’m about to dive into the third act of the newest draft. My hope is to blast through it using the outline as my guide, wrap that up around early January, and then circle back to deepen and polish a lot of the half-formed scenes I left rough on purpose. No one but me will ever see this version, and I needed the freedom to solve the big structural puzzles before worrying about finesse.

What’s been on my mind lately, though, is how my social-media footprint might affect my chances once I start querying. In my head, most agents are liberal white women, and I worry that some of my louder, crankier posts from years past might make someone wince.

I’ve been a rambunctious loudmouth most of my life, so I’m sure I’ve irritated someone somewhere enough to get myself “canceled.” But honestly, I just want to see how far I can get in this process. That’s the whole goal.

And if I can get even one person — someone who isn’t related to me — to read the whole novel and tell me anything at all about it, I’ll be thrilled. In the past, I’ve handed people my work only to be ghosted.

Ugh.

But onward. One step at a time.

Things Are Going Well With This Scifi Dramedy Novel I’m Writing (At The Moment)

by Shelt Garner
@sheltgarner

Right now, my biggest fear with this scifi dramedy novel I’m writing is word count — scene bloat. I’m really nervous that I’ll write a really good novel, but it will just be too long for a first novel.

And, yet, The Girl With The Dragon Tattoo was about 160,000 words and that got published. So…lulz? It’s not IMPOSSIBLE for a novel that is longer to get published — even for someone as old as fuck like I am.

Right now, I’m just breezing my way through a draft of the novel to so I get some sense of it’s structure on a specific basis. Once I wrap this version up, then I’m going to make another pass through it to make some scenes longer and maybe eliminate some other scenes.

I really don’t want a novel that’s 200,000 words. About 160,000 would be manageable, even though it would still be way too fucking long for a first novel.

But, anyway, I think — think — that I’m getting a little bit of a second wind with this novel. I’m hoping to zoom through the rest of it so I can turn around and re-write or revise large chunks of it before I give it to beta readers to look at.

If I had any money — which I don’t — I would actually pay an manuscript editor to look at the finished product before I started querying it. But that’s just not practical.

As it stands, I’m going to be really, really lucky if I can find *anyone* to read the damn thing before I start to query. Then, even if I stick the landing with the novel, I could be nearly 60 before the thing is in bookshelves so people can read it.

And given the looming technological Singularity….lulz?

Scene Bloat

by Shelt Garner
@sheltgarner

Ugh. I’m bumping up against 50 scenes for the “bad guys closing in” part of this scifi dramedy novel I’m working on. The only upside to things is that I have some wiggle room still about how long the individual scenes will be.

So, even though I have about 50 scenes for the second half of the second act, that doesn’t mean they will each be 1,000 words. But I’m definitely going to go through and make them longer when I go through the pre-beta draft of the novel before I give it to Beta Readers.

Anyway.

I am really pleased, in general, with what I have on my hands with this novel. I just really need to focus on getting shit done. I still want to try — TRY — to begin querying this novel in late spring 2026.

But it will be interesting to see how that works out. My life is set to change rather dramatically between now and then so…lulz?

Just About To Reach The Midpoint Of This Scifi Dramedy Novel

by Shelt Garner
@sheltgarner

One issue is I just don’t know what draft I’m working on with this novel. I think this is a beta-ish version, but it might be a first draft. But I think if I just don’t overthink things, this can be a beta draft that I just do a lot of work to on a technical basis before I show to other people.

Really, the only issue so far is sometimes I’ve gotten impatient and leaned into what AI has generated a little bit too much. That’s the thing I have to fix before I show it to anyone else.

I have to go in and rewrite all the “AI-talk” out of the text so people won’t just roll their eyes and assume that any of the good parts that exist AI wrote. Just doing that could take me a month or more of hard work to fix all the instances of em dashes and so forth.

But, in general, I really have written most of this novel myself. I’ve just used AI — specifically Claude LLM — to guide me towards what I probably would have written already.

One thing I’m a little bit uneasy about is how saucy this novel gets at points because of the whole sex worker element to it. That was a big obstacle to getting anyone to take seriously my previous novelistic efforts.

But, thankfully, the whole stripping part of this novel happens way, way, way later in the game in this novel than the other thriller novel I was working on.

Absolutely No One Believes In This Novel, But Me

by Shelt Garner
@Sheltgarner

This happened before, with the other novel I was working on — it is very clear that absolutely no one believes in it but me. I continue to be rather embarrassed about how long it’s taken me to get to this point with this novel.

But things are moving a lot faster because of AI.

Not as fast as I would prefer, but faster than they were for years. Oh, to have had a wife or a girlfriend to be a “reader” during all the time I worked on the thriller homage to Stieg Larsson. But, alas, I just didn’t have that, so I spun my creative wheels for ages and ages.

And, now, here I am.

I have a brief remaining window of opportunity to get this novel done before my life will probably change in a rather fundimental way and the entire context of me working on this novel will be different.

Anyway, I really need to wrap this novel up. If I don’t I’m going to keep drifting towards my goal and wake up to being 80 and still not have a queryable novel to my name.

Deep Breath

by Shelt Garner
@sheltgarner

Ok, I have to admit that there is an element of sex work in this scifi dramedy novel I’m working on. Figuring out exactly where to introduce it and put it has been the toughest structural part of working on this novel.

These days, I’m imagining my female romantic lead of this scifi dramedy looking like Rachel Sennott.

The key thing was that I initially introduced it too soon it — stripping — too soon and it kind of was a downer, specifically how I introduced it.

But gradually, with a lot of help from AI as my manuscript consultant, I finally figured out the best way to approach things. I’m punting the spicy stuff until the second half of the novel, specifically the “bad guys closing in” part of the novel — the second half of the second act.

I’ve pretty much nailed down the first half of the novel, but the second half continues to be very much in flux for various reasons.

Now, in the past when I had stripping as part of the plot of a novel — specifically the Stieg Larsson homage I worked on for years and years — I couldn’t even get an actual human literary consultant to look at it. The moment they realized what I was doing with the novel, they pretty much told me it was trash and why was I even doing it to begin with.

But this go round, I’m hoping that at least, should I figure out where to find the money, that I can get them to at least read the first few chapters. Maybe?

I have my doubts. Literary types just refuse to take me seriously because they think I’m a drunk kook. And I will admit that at times in the past I have resembled that remark. But I’ve sobered up a great deal. The kookiness, however, remains and I just can’t help who I am.

The High Concept For My Scifi Dramedy Novel

by Shelt Garner
@sheltgarner

If I were forced to think of an “elevator pitch” high concept for this novel, I would say, “Annie Hall meets Her meets Ex Machina with a dollop of The Eternal Sunshine of the Spotless Mind.”

That, at least, is the goal.

My writing, even augmented by AI, is only so good. So, lulz. I have to accept that I going to fall far short of my goals in some respects. And I know that I’m “comping” this novel to three movies. I just love movies and don’t really think in terms of novels when working on a novel.

And, to be honest, if i was 25 years younger, I probably would be in Hollywood, slaving away as a screenwriter. But, alas, that is not to be. I’m stuck where I am at the age I am.