So. Now that I’m kind of chilling out on my first novel so I can look at it with fresh eyes in a bit, I’ve decided to piviot to working on the scifi novel I’ve been developing. I have a complete outline that I’ve fleshed out.
Now, I’ve begun to actually write scenes out.
But I think I’m going be really self-conscious about the need to lean into character with this novel from the get-go. A story that’s all plot is just not very interesting. So, as such, I’m going to maybe TRY to sketch out character studies of all the major characters before I really get into writing the first draft.
And, yet, having said that, things at the moment seem to be moving really fast because I really understand what the novel is about. If I keep going at this clip — and the world doesn’t end because of fucking Trump — I SHOULD be in a position to query this novel at some point in 2025.
It is becoming more and more clear to me that I could be nearly 60 years old before I become a published author — if that even ever happens. What’s more, it’s also clear that there is a pretty good chance that if the Petite Singularity doesn’t make all my hard work moot, that some sort of severe political crisis starting in late 2024, early 2025 might just do the trick.
My dream is that my “passion project” main novel is as accessible and popular as Stieg Larsson’s The Girl With The Dragon Tattoo.
And, yet, here I am determined to keep going with two different novels that I’m working on.
The key thing is that I manage my expectations. I’ve decided on an existential basis that I’m willing to use what little time I have left on this planet to at least TRY to become a published author, problems and obstacles be damned. I have a huge chip on my shoulder about my writing ability and I want to the validation of getting the approval of literary gatekeepers.
Having said all that, I am really working on my backup scifi novel. The main novel, the “passion project” has problems because its heroine is a part time stripper at club that she owns. I am WELL AWARE of how problematic this may be to younger people — especially women — but I really like how unique and unexpected this part of my heroine’s personality is and so, lulz, fuck it.
Meanwhile, the backup scifi novel is built from the ground up to be as marketable as possible. That’s the goal, at least.
In an ideal world, one of the two novels will sell and I could use the popularity of one novel to get the other novel published. But I have my doubts about if such a cross-pollination of success is possible, given that the two novels are of such different genres.
Anyway. I am pleased with what I’ve come up with and the goal is to wrap up a final third draft of the “passion project” novel no later that around July 22.
It has occurred to me that there may be a problem with my plan to have a backup novel that is meant to be a lot more marketable than the main “passion project” novel — the two novels are different genres.
My main “passion project” novel is meant to be an homage to Stieg Larsson’s The Girl With The Dragon Tattoo.
I don’t know how much of this problem is in my own mind because I’m overthinking things and how much is real. My theory of the case is it will be easier to sell the scifi novel — then I will use the success of that novel as leverage with the thriller novel.
My concern is, of course, that the two novels begin different genres will cause their paths to be mutually exclusive. But I think I’m overthinking things. I think the concept is still valid — if I use one novel to get an agent, I can leverage that success to sell the other novel.
Or, I suppose, I could just throw up my hands in despair because “everything sucks” and I’m too old to ever have any additional success in life. But I’m just not prepared to admit defeat just yet. I’m going to keep going because no one can predict the future.
I’ve learned a lot about developing and writing a novel from the main “passion project” and I’m hoping that those skills will allow me to develop and write a scifi novel far more rapidly than the mystery thriller. I’ve already seen evidence of that with the mystery thriller.
I hope to wrap up an outline of the scifi novel pretty soon. I’m just about to wrap up the latest iteration of the third draft of the novel. Once I wrap that up, then I am going to find myself at a crossroads. I don’t quite know what I’m going to do in the near term, but I’m sure I’ll think of something.
I am going through my main novel — which I now see as a “passion project” at quite a nice little clip. I hope to wrap up the latest iteration of the third draft in a few weeks. Then I will probably go through and really look carefully at each scene to make absolutely sure that it’s good enough to keep as-is.
Meanwhile, the scifi novel, which I am developing specifically to be as marketable as possible, is coming along as well. I’m using AI to help me develop the novel because I have no friends and no one likes me. I have had decidedly mixed results using AI for development.
Sometimes AI has given me so really good suggestions. Other times, meanwhile, the results have been rather…meh. But, in general, using AI has sped development up significantly because it has given me at least some sort of path as to where I should go. Too often in the past I’ve spent a lot of time just spinning my wheels, not really knowing what I should do.
Anyway, the next step with the “passion project” novel is to save up money for an editor. It’s going to take me a few months because I’m living in poverty. But it will be worth it. I am still rattled by the fact that I managed to scare off one editor I wanted to work with simply because I’m a freaky weirdo.
But I have to accept that within a few months — hopefully no later than July 22nd, 2024, I will begin the querying process for the “passion project” in some way — even if it’s just continuing to save money up for an editor of some sort. I may break down and just start to query the novel if I fear it’s just going to take me too long to get through the editing process.
I’ve pretty much gotten the first half of the treatment for the backup scifi novel I’m developing wrapped up. But I’m at the midpoint and, for the moment, I’m struggling as to what the “midpoint switch” will be.
I’m very pleased with the first half of the treatment. I have interesting characters and I get to talk about some weird problems in the world that I’ve come up with. But I just don’t quite know at the moment what should happen at the midpoint.
I have a number of ideas, but nothing really seems to provoke the type of thought I need. I’ve been using AI to help me develop this treatment and some of the ideas have, in general, been pretty good. But even that has only given me mixed results.
Update: I may have come up with a midpoint switch just now using AI, but I’m not sure. The second half of this treatment is shaping up to be a lot more difficult than the first half. But I am very pleased that I have, at last, figured out how to mentally have two different creative tracks.
Because of how “racy” my mystery-thriller is, I’ve finally decided to work on a backup novel. The novel is a scifi novel with a pandemic element to it. As I’ve said before, it’s a pretty obvious way to talk about pandemics — at least in my opinion — so I keep expecting to wake up and read in Variety or The Hollywood Reporter that a movie with the exact same premise has started production.
But I really like the idea and it gives me a sense of insurance against my main novel being too “racy’ to ever get published. I have a few other novel ideas to pivot to if disaster strikes and even the scifi novel I’m working on is somehow co-oped by someone else.
One key thing that I’ve learned working on the mystery-thriller is you have to have a proactive protagonist. Too often in the past, I’ve had very passive protagonists, which has made for a dull story. So, now that I am very aware of how important having a proactive hero is, the scifi novel concept is moving a lot faster.
At the moment, I’m just at the treatment stage for the scifi novel. But things are moving a fairly nice clip. I’m beginning to struggle with the second half of the novel at the moment. And once the treatment is done, I think the next step is to do some rough character studies so I won’t be where I am now with the main novel where I have to reverse engineer character development in a story that is pretty much all plot.
I have developed a hero for the scifi novel that resembles me, which is bad because you’re not supposed to have a “proxy you” in the novel when you write one. And, yet, at the moment the elements that are similar to me work, so, lulz, why bother fixing them.
And I’m still pretty early in the process.
I continue to worry that all of this will be moot because of the looming possibility of a “perfect storm” involving the so-called political Fourth Turning and a technological Petite Singularity.
I’ve decided to just write the story without worrying about word count. Once I actually finish the novel, I will assess things. I will either split the story in two and have it connected by a cliffhanger, or I will try to pitch a backup novel that is the “proper” length.
I hope my heroine is as compelling as Lisbeth Salander.
I just don’t know yet. It could go either way.
But I am really interested in a scifi-Western. I think that is going to be my backup story. It shouldn’t be too difficult to bone up on how to write a Western then use the scifi universe I’ve thought up in the same story. The Western element would allow me to have a number of ready-made plots that I could fuse with scifi elements.
(L to R, foreground) DANIEL CRAIG as a stranger with no memory of his past and director/executive producer JON FAVREAU on the set of an event film for summer 2011 that crosses the classic Western with the alien-invasion movie in a blazingly original way: “Cowboys & Aliens”.
I do know I have to hurry up, though. I can’t keep screwing around. I now have just about six months to wrap up this third draft of my first novel, regardless of how long it turns out to be.
Now that things have stabilized with the third draft of the mystery-thriller I’ve been working on for years and years now, I think it’s time I seriously try to have a backup story ready. I understand how to — I — develop a novel, so I can use that to hopefully develop a new novel a lot more quickly.
The three scif novel concepts are, in general — one about a pandemic and its consequences, another about the consequences of a pandemic, one that is similar to Silo / Wool and one last one about how difficult it would be to get humans to agree that all human life should be valued equally.
But I really want to push myself out of my comfort zone. I need to read and watch more as well as develop. I just hate that I’m in such a unique situation –that could end at any moment — and I’ve not taken as much advantage of it as I should have.
One of my favorite movies growing up was Outland, which, as I understand it, is High Noon set in space. After about 20 years of contemplating a particular scenario, I realize that one way to give it a plot would be to have something akin to a scifi Western in the sense that it would have a lot of the elements of a traditional Western, but it would also lean heavily into scifi.
‘Outland’ I might look into this a little bit sometime soon. I was thinking of looking up “how do you write a Western?” then use the modified tropes of a Western in this scifi story.
But I dunno. I may just keep focused on the mystery-thriller I’ve been working on for so long. I’m beginning to get a little nervous about what I’m going to do when I finally start the very-serious process of querying.
I’m officially at an age where I am constantly reminded of how precious my remaining days of life are. I wasted way too many years grieving over the demise of ROKon Magazine and now, here I am, at 50, troubled by all the doors that have closed behind me for good.
And, yet, I continue to be consumed by delusion to the point that I still have hope that somehow, someway, I will “blow up with my DJ money” and pull of a third hattrick — this time for a national / international audience.
As such, I continue to chung away at a mystery-thriller novel that I hope will be the cornerstone of a six novel project. What’s more, despite all the mental energy devoted to such an endeavor, I still find myself dreaming up other story concepts.
That sort of thing just happened to me today when I returned to a time-travel story that has been rolling around in my mind for some time. I like it because it deals with multiverse concept while also addressing some major issues of the day.
The more I’ve thought about the idea, the more I’ve come to realize it has the storytelling dynamic of a screenplay rather than a novel. The thing about screenplays is you can get away with a lot of things that you simply can’t with a novel.
I have long wanted to write a screenplay, but I fear I’ve just waited too long. Or, to put it another way, a screenplay would be something I might be able to pull off once I blow up with my DJ money. I’m delusional, yes, but I am still connected to reality enough that I’m not prepared to spend all that much time on a screenplay when I’m both too old and live in the wrong place for it to ever be produced.
But I just don’t know. I really like this scifi concept enough — and I do continue to have a lingering interest in writing a screenplay — that I might just dabble in writing such a screenplay to get it out of my system.
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