General Videos From Me

Once I Stabilize The First Three Chapters Of The Third Draft Of This Novel, Things Should Move Really Fast

by Shelt Garner
@sheltgarner

I am so close to stabilizing the first three chapters of this novel to the point that things might start to go really fast. One huge problem I face is I’ve so forked the story from what it was intended to be in the second draft that I have a huge amount of writing, rather than editing, ahead of me.

My dream is to write a novel as popular as Stieg Larsson’s The Girl With The Dragon Tattoo.

I’m going to have to just throw everything up in the air and reimagine a lot of the novel on a specific basis, with the third act really being something I have to work on. The third act of the second draft s u c k e d. It was horrible. So these days I spend a lot of of my time thinking in the back of my mind about how I can straighten out some serious problems in the third act.

Anyway. My storytelling and writing ability have both gotten significantly better. Some of it is I’ve being using AI some to help develop the novel — but not write it — because I’m doing everything in a vacuum and I have nothing to go on but my gut.

And sometimes my gut just doesn’t cut it.

But, in general, I’m very pleased with what I’ve managed to come up with. One key thing I have to do is stop being such an absolute perfectionist. The point is to finish a third draft THEN go back and edit it some. This business of forking the Goddamn thing all the time has got to stop.

Uh Oh

by Shelt Garner
@sheltgarner

So, I was in Richmond yesterday, finding random people to hand out a draft of the first three chapters of the novel to when something happened that stopped me cold. I told a young woman who was obviously a liberal white woman the more “edgy” elements of the novel — that my heroine owned a strip club — and she immediately shut down.

This does not bode well for how the liberal white women that I imagine make up the majority of literary agents will respond to that same “edgy” part of the story. I was talking to the young woman in question, having a friendly conversation about the novel, but the moment I told her about the strip club part of the story — she shut down and wandered off.

My reaction to this is multifold.

On one hand, it definitely is a tap on the shoulder to have a back up plan of some sort. I really need to work on a back up novel. I have three solid scifi concepts I can work on.

The heroine of my novel, in my imagination, looks a lot like Corrie Yee.

My other reaction is, fuck it, we’ll do it live. If “Barry” can be produced to success, then my weird little story can potentially be a success, too. I just have to buckle down and get this thing done.

I continue to be concerned about word count, however. I really need to be prepared for the novel to be in the 140,000 – 160,000 range which is just way too fucking long. That gives me another reason to pause and work on a backup plan

An Issue Of Verisimilitude

by Shelt Garner
@sheltgarner

If I ever needed a clear sign that, in general, no one takes me seriously, it’s my overall failure to get anyone from my past life with the press industry to answer my call for help about something. (I finally got one person, but that’s really not very many given how many people I reached out to.)

The issue is, I really want to make the situation I’ve come up with for my heroine — that she owns both a strip club (where she occasionally strips to relax) and an alternative weekly — as real as possible. Like, how would that REALLY work out, especially in mid-1990s Richmond, VA?

I’m WELL AWARE that because of human nature and the needs of marketing, that there is a real risk that this novel would be reduced down to two tropes being fused together — “hooker (or sex worker) with a heart of gold” and “sexy slutty assassin” solves a murder mystery.

I think about this even more given how many men my heroine beds in the first act for the purposes of the plot. All the sexxy time is not gratuitous and definitely serves the overall plot. And, in general, I don’t even really show the spicy stuff that much. I do show it some, but it’s hopefully not so much that people get turned off.

And, what’s more, I’ve cut back the sex in the second act. I don’t know, but I think that best practices for storytelling is you delay sexxy time as much as possible. But, lulz, I never do anything the right way.

But the story is getting much, much better in general. I’m really pleased. But I have to prepare for people to attack me for how much sexxy time there is in the novel. While I’m very sex-positive and don’t see my heroine’s sexual activity as “slutty” I’m afraid there will be some people who think I’m replicating Debby Does Dallas with how my heroine seems to have so much sex on the fly.

Ugh. Anyway. Wish me luck.

Still Dreading Querying My Novel & ‘Comping’ It

by Shelt Garner
@sheltgarner

I’m something of a long-term, strategic thinker so even though I’ve not finished my first novel, I find myself dwelling how hard it will be to query it. My biggest concern is of course, that any literary agent who does “due diligence” on me is going to be aghast at how often I’ve gotten drunk and ranted about things that don’t quite jib with the mainstream media narrative.

My dream is to write a novel a popular as Stieg Larsson’s “The Girl With The Dragon Tattoo.”

Another big concern of mine is how I’m going to “comp” this novel, given that I don’t actually read that much fiction! I just keep re-reading Stieg Larsson’s The Girl Who Played With Fire and when you comp a novel in your query letter, you’re SUPPOSED to comp — or compare — it to something a little bit more modern.

Ugh.

As such, I’ve forced myself to buy some novels that AI have told me are similar to Larsson’s work. I suppose I could read some of the more modern faux Larsson novels, but they’re so fucking bad. Though there is the most recent new one that has, in its own way, some of the same elements of my novel, so I might buy THAT one and use it as a comp to my novel.

I hope I’m not too bonkers to be a successful novelist.

Maybe.

Anyway, I’m feeling pretty good about where things stand. Now, I just hope the country I love so much doesn’t collapse into chaos because of “vibes.”

I Think About Women Readers A Lot As I Write This Novel

by Shelt Garner
@sheltgarner

I do not purport to have any special insight into the female mind, but I do, at least, try to cater to that segment of the reading audience as I write this novel. I do this especially given the edgy, loaded nature of the novel.

I hope to write a novel that is as accessible as The Girl With The Dragon Tattoo.

It’s not every day that your heroine is a part-time stripper.

Now, of course, if I was, say a transgender women writing this type of novel, then I probably be hailed as the second coming of Jesus Christ. But, alas, I’m just a smelly CIS white male — a middle aged one at that! — and, as such, slings and arrows and all that.

I have a vision for this novel and, as such, I’m prepared to take shit for what, of course, will be reduced down to “stripper solves a murder mystery.”

Ugh!

That’s not what’s going on! But no one is going to listen to me. Anything to do with sex and women — especially something out of the ordinary — is the thing that people will focus on. And that doesn’t even begin to address the issue of how Hollywood would market any adaptation of the novel should that miraculous thing somehow happen.

Anyway.

I’m really self conscious about how women readers might react to this novel to a fault. I have a few women “advisers” that help me when I feel a little bit nervous about this or that thing that I might broach in the novel while writing from a female POV.

But, like I said, I can only do so much. I’m a smelly CIS white middle aged male and a vocal minority of the reading audience will dismiss the novel the moment they see what I look like.

I Keep Fucking Forking This Novel As I Write The Third Draft

by Shelt Garner
@sheltgarner

Things are getting really, really good with this novel. I’m very pleased. But as I make my way yet again through the third draft’s first act, I keep subtly changing it so it forks.

This sucks.

But I’ve come up with a very interesting new take on the general story that I’ve been working on for years now. The thing about writing a novel is you sometimes find yourself asking yourself some pretty surreal questions. Like, for instance, if this or that sexual act is more “kinky.”

I have everything sorted out on that front — at least to my satisfaction — but I still have a little bit of concern that being so matter-of-fact about things is going to make people giggle.

This is an example of how different I am as a writer than Stieg Larsson. He was too often very dark and twisted whereas I have a far more sex-positive take on some of weird, freaky shit he broached.

That, by definition, makes for a very different type of story.

My biggest fear is, of course, that the novel just won’t be dark enough for its intended genre of mystery-thriller. But, I do keep forking it, so, who knows, by the time this third draft is in Beta, it might be a lot more dark.

Write, Write, Write

by Shelt Garner
@sheltgarner

I wrote a great deal this afternoon wasted as fuck. I realize that is not exactly the greatest writing philosophy, so I need to kind of chill out on that front. But this novel is getting really, really good.

I’m very pleased with what I’ve managed to come up with.

But there is one issue — I’ve kind of forked the novel AGAIN. The novel is getting a lot better, but now that it’s forked, I can’t just go through an edit things. I’m going to have to tinker and rewrite and restructure things, which will force me to slow down a great deal.

Which, of course, sucks.

I’m trying to speed through things as quickly as possible and all this fucking forking isn’t going to get me to my goal of finishing the third draft by April. I just don’t know what to tell you — I’m trying to make this novel as quickly as possible but it’s just one of those things.

I hate to admit it, but I’ve felt a lot more creative drunk.

As I’ve Said Before, If This Novel Is A Success, Hollywood Actresses Are Going To Dig It

by Shelt Garner
@sheltgarner

Hollywood actresses are a curious bunch. While there’s no easy equation that explains all of their psychology, in general — especially as they get older — such actresses love to run around emotionally and psychologically naked using their roles.

You do you, baby.

This causes “good girls” like Natalie Portman to play a stripper in Closer. This leads some actresses who are probably bi-sexual to play many, many lesbian roles where they get to pretend to fuck another woman under the guise of “acting!”

In short, a lot of Hollywood actresses are freaks — in a good way. More power to them.

My heroine looks a lot like a younger version of Nicole Scherzinger.

Anyway, I only bring this up because my novel has a number of character in it that I could see actresses loving. My heroine is a really complex woman who would allow them to bounce back and forth between being a professional journalists / publisher and being the owner of a strip club / occasional stripper.

Have I got a role for you!

Meanwhile, I have the “comic relief” character who is wide open sexually and keeps causing trouble for the more “serious” characters by how unwilling she is to abide by the traditional gender power dynamic.

But I am really getting ahead of myself. Way, way ahead of myself. I have to finish the fucking novel first. I’m really, really pleased with how things are going, but I still have to stop fucking DRIFTING towards my goal and actually buckle down and get some work done sooner rather than later.

I Really Need To Think About Women’s Reaction To My Heroine Being A Part-Time Stripper

by Shelt Garner
@sheltgarner

A lot could go wrong with this novel. I definitely fear someone will steal a creative march on me, if for no other reason, I’m just taking too long. But there’s not much I can do about it. Rome wasn’t built in a day and it’s just taking me a lot longer than I thought to get as far as I have.

But what’s interesting to me is the very thing that makes this novel a bit…edgy…could also be what makes it a success. I am WELL AWARE that because of marketing and human nature that this very interesting situation I’ve come up with will probably be boiled down to, “stripper solves a murder mystery.”

Ugh. That’s not at all what’s going on, but, lulz, what can you do.

But I do think that my heroine is beginning to approach Lisbeth Salander levels of interesting. She could very well be something of an icon if I play my cards right. And the thing that I keep being reminded about is how the interplay between my heroine’s “normal” life of owning an alternative weekly and her “alternative life” of owning a strip club / stripping to relax is something I need to lean into if I’m going to introduce the idea in the first place.

That’s what people — especially women willing to humor me by reading the damn novel in the first place — are going to want to see the most of.

The daydream issue of how Hollywood might address this novel occasionally gives me pause for thought. The obvious way to market the movie is something along the line of the old Pam Anderson movie “Barbwire.”

Double ugh.

The point of the story is not the T&A element of the story, but that by heroine is a woman who has sexual agency and self confidence enough that she is able to be a stripper to relax without giving it much thought.

It’s everyone else — especially horny men — who are the problem.

Anyway, I continue to work my way through the first act of the third draft AGAIN. Hopefully, this time, I will still have momentum enough to make my way through the second and third acts when the time comes.