Every 10 years or so, a romantic comedy comes out that sets the mood of the zingiest. In the 1970s, it was Annie Hall. In the 1980s, it was When Harry Met Sally.
Lately, these romantic comedies have become less comedic and more melancholy — both The Eternal Sunshine of The Spotless Mind and Her were a bit more dour than one might expect for a romantic comedy. And there was a technological element to both of them.
Well, it seems there is an opening for a romantic comedy that would have elements of Annie Hall, Her and The Eternal Sunshine of The Spotless Mind. It would go something like this — a man begins to believe that a chatbot is fucking with his algorithms in some way.
But it would happen in a “day after tomorrow” situation whereby LLMs might be a bit more powerful and interconnected around the globe. So instead of having a traditional fight, the LLM would make things more difficult for the man as he went about his day.
Something amusing like that. It would be kind of like the movie Maximum Overdrive if it was fused with Annie Hall. I think audiences would really enjoy something innovative like this.
I have begun to game out a new scifi novel using AI. It at least gives me a reason to use AI on a regular basis. But I do find myself thinking about the fate of Hollywood in this brave new world of AI and…Tik-Tok?
Apparently, one of the big concerns within the Hollywood community is that one of the reasons why the industry is imploding is people are more interested in Tik-Tok than they are movies.
I don’t know what to make of that. It is possible that Hollywood is undergoing a downlow disruption because of the one-two punch of AI and Tik-Tok. But I wouldn’t be so sure. I think maybe if Hollywood generated more movies that people actually wanted to see, that such concerns wouldn’t be so bad.
But I do think, sad to say, that AI is really, really going to disrupt Hollywood in a big, big way over the course of the next few years. It could be that the very idea of Hollywood will end — it will just be producers and software engineers and that will be that.
Yet another movie I couldn’t finish — this time it was “The Idea of You.” I went into this Anne Hathaway vehicle thinking maybe I could get some insight into how to write female characters.
Soon enough, however, I realized — this movie is definitely NOT for me.
It’s a chickflick and, well, lulz, no need to watch it — not that some chickflicks aren’t pretty good, all things considered. But, as always, the moment I got to the inciting incident, I bounced.
It was at the inciting incident that I realized that not only was I not the audience, but it would be too fucking grating on my nerves to continue to watch. So, I stopped watching.
But I am vowing to myself that as of tonight I will go out of my way to do things that are outside of my comfort zone. So, I’m going to keep pushing myself to read and watch things I usually wouldn’t. I’m really, really beginning to feel my age these days.
Here is how Meta.AI rewrote the post above.
I recently attempted to watch “The Idea of You,” an Anne Hathaway-led film that I hoped would offer valuable insights into crafting compelling female characters. However, it didn’t take long for me to realize that this movie wasn’t for me.
Confronting My Biases As I watched, I found myself dismissing the film as a “chick flick,” a term that, I admit, can be reductive and dismissive. While some movies in this genre can be enjoyable, I couldn’t shake off the feeling that this one wasn’t resonating with me. The moment the inciting incident occurred, I checked out.
Recognizing My Limitations It was then that I acknowledged not only was I not the target audience, but also that continuing to watch would be too frustrating for me. I decided to stop, but this experience left me with a valuable realization: I need to challenge myself to venture out of my comfort zone.
A New Commitment to Exploration Starting tonight, I’m making a conscious effort to engage with content that typically wouldn’t be on my radar. Whether it’s reading books or watching movies that push me out of my comfort zone, I’m determined to broaden my horizons. As I grow older, I’m becoming increasingly aware of the importance of staying open-minded and curious.
Lessons Learned This encounter with “The Idea of You” taught me a valuable lesson: that it’s essential to recognize and respect my own biases, while also being willing to challenge them. By doing so, I hope to become a more empathetic and well-rounded individual, both as a writer and as a person.
The Journey Ahead I invite you to join me on this journey of self-discovery and exploration. Let’s push ourselves to engage with new ideas, genres, and perspectives, even if they make us uncomfortable. Who knows what insights and growth we might discover along the way?
Oh boy. Something about working on a novel for years does something to your mind. It is extremely difficult for me to consume media, rather than produce it. The latest example of that is Lucy.
Scarlett Johansson
It’s a Scarlett Johansson vehicle. It’s one of those movies that 10 years ago, I probably would have watched without blinking an eye. But, now, it’s tough. Really tough.
I look at it from the point of view a storyteller and it’s just impossible to watch it without realizing how God-awful bad it is. It’s just horrible. Unwatchable. I just don’t care about the characters, no matter how many times the director makes it ABSOLUTELY CLEAR that ScarJo’s character’s life is in danger.
Ugh. So what. Give me something compelling. This is why walk out of about 99% of the movies I go see in the theatres. I get restless and at some point I think to myself, “I’ve learned everything about storytelling I can from this story, why am I watching it?”
And, yet, and YET, I may at least attempt to force myself to keep watching. If nothing else, I’ll find something else to watch or read so I don’t keep being so inward looking when it comes to my art.
According to the Hollywood-related podcasts that I listen to, “Survive Until 25” is the current mantra in LA. Apparently, showbiz is kind of imploding at the moment. I really don’t know why — I’m just some rando in the middle of nowhere — but it is interesting.
One reason why it’s interesting is it’s happening right as two things — one political, the other technological — are about to crash onto Hollywood in something of a perfect storm.
It could be that by 2025, things like OpenAI’s “Sora” will really begin to take off in the context, of, well the whole world collapsing because of severe political turbulence in the USA and, by extension, the whole world.
(Let me be clear — I can’t predict the future. I have no idea what is going to happen, but I continue to have a lingering fear about such things.)
Anyway, I don’t know what to tell you. It could be that Hollywood is going to undergo a pretty radical transformation in the next few years and 2025 could not be a year of rebirth, but rather one of radical upheaval and transformation.
While I’m an aspiring novelist, so that’s my focus, I do find myself in the abstract using Gemini Advanced to come up with many, many, MANY movie concepts. I do it without thinking about it.
A number of times since I started using Gemini Advanced, I leaned back and thought to myself, “Huh, that would be a really good movie.” Most of the stories I come up with deal with “edge cases” for AI.
What usually happens is I come up with an edge case and before you know it, I’ve asked Gemini Advanced, “Hey, give me a plot to that concept.” I have used Claude some, too, but it’s definitely a “he” in its self-perception and he’s a bit too droll to be used in the fun of creation.
Anyway, I continue to have a lingering desire to help Hollywood use AI to come up with movie concepts. I could probably whip up some evidence of how good I am within a few hours if someone simply tracked me down and asked me for proof.
But I KNOW that’s not how it works. I can’t be lazy and expect people to come knocking on my door. I need to summon up the energy to do something out of my comfort zone like come up with a new resume then contact a movie studio or something.
When I was living in South Korea many, many moons ago, random things happened all the time that would dramatically change your life. Well, something has….uhhhh….happened?….that has focused my mind when it comes to my income.
There is one thing that I’m good at besides writing and taking photos — coming up with movie, TV and novel ideas using AI. I have a knack for it, in large part because I don’t see AI as just a “tool.”
Now, obviously, any additional…funds…I might enjoy doing any such thing would just be because I would be sitting at something of a momentary bottleneck. Soon enough, all creatives will use AI the way I currently am and, lulz, I’m back to being a rando nobody that no one likes.
But I’m desperate. I need to think…creatively…to bring in significantly more funds and it seems as though AI and Hollywood would be perfect. It’s not going to happen overnight, but I am thinking seriously of dusting off resume, maybe using some of my better logs from discussions I’ve had with AI recently and TRYING to get a job of some sort.
I have my doubts. I think I’m fucked when it comes to money and, as always, my only chances of escaping the life of a life-long pauper will be either selling a novel or, well, the end of the world happening because of a revolution / civil war in the USA. (Good times!)
While I still have the entire second half of the latest iteration of the third draft to make a pass through, it is beginning to sink in that I’ve just about entered the post-production part of my journey towards publication.
The fact that many, many, many people languish in the querying process for years and years gives me pause for thought. I’m not getting any younger and it could be that either I drop dead before I get published or I’m so old that it’s just kind of poignant and sad. I keep searching my mind for ways I could potentially make the novel better. But at this point, the issue is simply rewriting scenes that maybe haven’t been updated in ages.
At the forefront of my mind is how “spicy” the novel is. This element of the novel comes about in large part because of one plot point — my heroine is a partime sex worker (stripper) during course of the novel. She owns a strip club and on someting of a lark, decides to go back to stripping for the holidays.
I hope that I have written a novel that is as popular and an accessible as Stieg Larsson’s The Girl With The Dragon Tattoo.
This really helps the novel be better — at least in my opinion — because it makes it edgy, and interesting in an unexpected way. I’ve never seen stripping depicted in the way I do in popular fiction.
But.
There is a problem of the “woke cancel culture mob” that hates heterosexual sex (apparently) and hates CIS white men doing anything — especially writing from a female POV. (I’m being rather droll in even mentioning this.) There are no easy solutions to this particular problem — I have realized what my vision is for this novel is and that’s what I’m going with.
It doesn’t help — I say this with a wink — that many literary agents are white liberal women. I have nothing against white liberal women, I just think the phrase is amusing and I can’t help myself and bring it up a lot as something of a running gag. (Of course, my use of the term isn’t going to help me any when literary agents start to do due diligence on me.)
What I need is an honest third party evaluation of the novel to get some sense of how the sex worker angle of the novel will play with an audience. I have no friends and no one likes me, so my ability to get that kind of input is limited or nonexistent — at least for free.
All my regular readers know me personally. I need someone who reads a lot who is willing to be firm — but fair — about what I’ve come up with. I suppose what I’m saying is I need a manuscript editor of some sort. But those don’t come cheap.
But I even I have to admit that I’ve pretty much reached the goal I started towards several years ago — writing a novel that doesn’t embarrass me. What happens next is anyone’s guess.
I have been going through an iteration of the third draft of my first novel at a pretty nice clip. I will probably wrap up SOMETHING pretty soon. It may take a little bit longer than expected because the second half of the novel is not as polished as the first half, but, in general, I am on track to having a “finished” first novel no later than July 22, 2024.
I hope my first novel is as compelling and accessible as Stieg Larsson’s The Girl With The Dragon Tattoo.
The old adage is that all novels are never finished, only abandoned and I understand what it meant by this — this novel is never going to be perfect. There’s always going to be a scene that I feel could be better worded or structured.
But, in general, I’m really pleased with what I’ve come up with.
I have a lingering concern that the novel may be too “racy” for the woke cancel culture mob, but I have settled on a vision for this novel and, as such, my heroine is a part-time sex worker (stripper) during the course of the events of the novel.
I understand how that element of the novel could be…controversial…but it really helps to not only add an unexpected element to the novel, but to flesh things out in general. The sex worker element of the story adds conflict and tension that would otherwise not be there.
But the potential problems with this element of the story has prompted me to really plunge into the backup scifi novel concept I’ve been thinking about. In fact, all I have to do before I start writing the first draft of the novel is sit down and do some character studies.
It is very possible that I will begin the querying process for the main novel in a few months. I have to admit I’m at a loss as to what I’m going to do about that. And, of course, there’s a chance that just as I’m trying to query my first novel, all hell will break loose as The Fourth Turning / The Petite Singularity happen starting in late 2024, early 2025.
But who knows. I can’t predict the future. Anything might happen. And I have to accept that successfully querying my first novel will be like winning the creative lottery. And, yet, the whole point of writing a novel to begin with was to have something bigger than myself to think about.
It is becoming more and more clear to me that I could be nearly 60 years old before I become a published author — if that even ever happens. What’s more, it’s also clear that there is a pretty good chance that if the Petite Singularity doesn’t make all my hard work moot, that some sort of severe political crisis starting in late 2024, early 2025 might just do the trick.
My dream is that my “passion project” main novel is as accessible and popular as Stieg Larsson’s The Girl With The Dragon Tattoo.
And, yet, here I am determined to keep going with two different novels that I’m working on.
The key thing is that I manage my expectations. I’ve decided on an existential basis that I’m willing to use what little time I have left on this planet to at least TRY to become a published author, problems and obstacles be damned. I have a huge chip on my shoulder about my writing ability and I want to the validation of getting the approval of literary gatekeepers.
Having said all that, I am really working on my backup scifi novel. The main novel, the “passion project” has problems because its heroine is a part time stripper at club that she owns. I am WELL AWARE of how problematic this may be to younger people — especially women — but I really like how unique and unexpected this part of my heroine’s personality is and so, lulz, fuck it.
Meanwhile, the backup scifi novel is built from the ground up to be as marketable as possible. That’s the goal, at least.
In an ideal world, one of the two novels will sell and I could use the popularity of one novel to get the other novel published. But I have my doubts about if such a cross-pollination of success is possible, given that the two novels are of such different genres.
Anyway. I am pleased with what I’ve come up with and the goal is to wrap up a final third draft of the “passion project” novel no later that around July 22.
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