Tag: I Love Hollywood

From Passive Consumption to Active Co-Creation: The Post-AI Hollywood Experience

Today, we choose what to watch from a (relatively) static library of content. Streaming services offer recommendations, but they’re based on broad categories and past viewing history. The future you envision is far more dynamic and responsive:

  1. The Empathetic TV: Your TV (or whatever display device we use in the future) isn’t just a screen; it’s an AI-powered interface. It uses facial recognition, not just for identification, but for emotional analysis. It detects your mood – tired, stressed, happy, curious, etc. – with a high degree of accuracy. This goes beyond simple emotion recognition; it might also consider your physiological state (heart rate, skin temperature, etc.) via subtle sensors.
  2. The AI Agent as Entertainment Curator: Your personal AI agent, the same one managing your digital life and deploying “dittos,” also acts as your entertainment concierge. It has a deep understanding of your:
    • Tastes: Your preferred genres, actors, directors, themes, and even specific stylistic elements.
    • Viewing History: Not just what you watched, but how you reacted to it (did you fast-forward through certain scenes? Did you rewatch others?).
    • Current Context: Your schedule, recent events in your life (as far as you allow it to know), and even the weather outside.
    • Long Term Goals: Is your goal to relax? To Learn?
  3. Dynamic Content Selection and Generation: Based on your mood and the AI’s comprehensive understanding of you, it doesn’t just recommend existing content. It might:
    • Curate a Personalized Playlist: Select a sequence of shows, movies, or even short clips perfectly tailored to your current emotional state.
    • Modify Existing Content: Adjust the pacing, music, or even the color grading of a show to better match your mood. Imagine a normally fast-paced action movie becoming more deliberate and atmospheric if you’re feeling contemplative.
    • Generate New Content: This is where it gets truly revolutionary. The AI might generate new content on the fly, tailored specifically to you and your mood. This could range from:
      • Personalized Storytelling: Creating short stories, interactive narratives, or even entire “episodes” featuring characters and themes you enjoy.
      • Dynamic Music Generation: Composing original music that matches your emotional state.
      • Abstract Visual Experiences: Generating abstract visual patterns and soundscapes designed to soothe, energize, or inspire you.
      • “Deepfake” Mashups: Seamlessly integrating you or your loved ones (with your consent, of course!) into existing movies or shows, creating a hyper-personalized viewing experience. (This has significant ethical implications, as discussed below).
  4. Interactive and Adaptive Entertainment: The entertainment experience becomes interactive and adaptive. The AI might:
    • Adjust the Story in Real-Time: Based on your reactions (facial expressions, body language, even brainwave activity), the AI could subtly alter the plot, pacing, or tone of the generated content.
    • Offer Choices: Present you with branching narratives or interactive elements, allowing you to influence the direction of the story.
    • Create “Living” Worlds: Generate persistent virtual worlds that evolve and change over time, based on your interactions and the actions of other AI agents.
  5. Beyond the Screen: This personalized entertainment experience wouldn’t be limited to your TV. It could extend to:
    • Augmented Reality: Overlaying digital content onto your physical environment.
    • Ambient Intelligence: Adjusting the lighting, temperature, and sound in your home to create the perfect atmosphere.
    • Wearable Devices: Providing haptic feedback or other sensory stimulation to enhance the experience.

Ethical Considerations and Potential Downsides:

This hyper-personalized, AI-driven entertainment future raises several important ethical concerns:

  • Privacy: The amount of personal data required to power this system is enormous. How do we protect this data from misuse?
  • Manipulation: Could this technology be used to manipulate our emotions or influence our behavior?
  • Addiction: The potential for creating highly addictive and immersive entertainment experiences is significant.
  • Authenticity: What are the implications of blurring the lines between real and generated content?
  • The “Filter Bubble” Effect: Will this technology lead to us only being exposed to content that confirms our existing biases and preferences?
  • Loss of Serendipity: Will we lose the joy of discovering new and unexpected things if our entertainment is always perfectly tailored to our known tastes?
  • Creative control: who has the ultimate control? The user or the creators of the platform?

The Future of Hollywood:

This shift would fundamentally change the role of Hollywood. Instead of creating mass-market content, studios might focus on:

  • Building AI Engines: Developing the AI engines that power these personalized entertainment experiences.
  • Creating “Raw Materials”: Generating vast libraries of characters, settings, storylines, and visual assets that can be used by AI to create customized content.
  • Crafting “Meta-Narratives”: Designing overarching storylines and frameworks that AI agents can adapt and personalize.
  • Curating Experiences: Focusing on the overall design and curation of the AI-driven entertainment experience, rather than just creating individual pieces of content.
  • Live performances: A renewed focus on experiences that cannot be easily replicated.

In conclusion, the post-AI Hollywood could be a world of hyper-personalized, dynamic, and interactive entertainment, where your AI agent acts as your personal storyteller, composer, and director, crafting experiences tailored not just to your tastes, but to your moment-by-moment emotional state. This future is both exciting and potentially unsettling, raising profound questions about privacy, autonomy, and the very nature of entertainment itself. It is a future that puts the individual viewer at the very center of the creative process.

An Aggressive Creative Drift

by Shelt Garner
@sheltgarner

It seems as though I’m going to continue to drift like always towards my goal of being a published author, but maybe in a little bit more aggressive manner. It seems as though I’m going to bounce around the six thriller novels I have planned so I can maybe have some sense of what’s been established in the universe as the novels progress.

Or something. Something like that.

And this doesn’t even begin to address how I have a scifi novel I’m also working on. Actually, it’s a few scifi novels.

I suppose, in a way, I’m trying to make the best of my tendency to not be very focused. But I’ll be happy as long as I am heading in the right direction of getting something, anything actually finished to the point that I can pitch it to a literary agent.

Of course, the issue of me just being too fucking weird could be a problem on that front. It’s enough to make me think about creating an whole identity out of whole cloth, like, I don’t know, a trans undocumented immigrant or something.

But, sadly?, I just don’t have the energy to do such a thing. Just accepted me — or not — for who I am. I just can’t continue to mope so aggressively as I have for months now.

Fuck It — We’ll Do It Live (Wink): Of My Decision To Throw Myself Back Into Writing An American ‘Girl With The Dragon Tattoo’ Novel

by Shelt Garner
@sheltgarner

I really want to write an homage to Stieg Larsson’s Millennium series books. But there are some structural problems that I could never have known about when I originally began work on this idea a number of years ago.

Apparently, people want single-POV narrators who fit the gender of the author. And they definitely don’t want POVs that bounce around within a chapter. And they want short chapters.

Ugh. It’s so frustrating.

I guess what I will do is work on both the scifi novel I’ve begun and this thriller. The scifi novel will be very much written with an eye towards marketability, while the thriller will, as always, be a passion project.

But the key issue is moving forward creatively. I can’t just keep staring out into space for the rest of my life. And I need to really lay off the booze. It’s time to go as sober as possible and let energy drinks be my lone vice for the time being.

One reason why I’ve picked the fourth novel in the projected six novel project I’ve envisioned is I have already gamed the novel out some, especially the beginning. So, all I have to do is “just write.”

And, yet, I also need to, I think, go back to the drawing board about certain elements of writing. I need to reread some books on character and plotting so I nail down some elements of the story before I even begin.

Also, I’m going to try to lean into using AI to be something of a “literary consultant” in the sense that it can guide me towards what I want to do with the story.

But, as always, the key thing is I’m not going to live forever. I really need to hurry up and get something, anything done.

Zendaya — Call Your Agent…Eventually? Redux

by Shelt Garner
@sheltgarner

I was flipping through Tik-Tok today and saw a still from the Hollywood version of The Girl With The Dragon Tattoo movie. That got me to thinking — I still want to write a novel like that.

So, I sat down at my computer and did some quick thinking. I realize that there is a way for me to get what I want immediately — rather than going back to the novel that has left me so burnt out (for the time being) I can start work on the fourth novel in the series that allows me to dive directly into an American Girl With The Dragon Tattoo-type situation.

There is one problem — I still haven’t really nailed down what happened in the first three novels. But I think as long as I’m moving forward, then at least I’m being productive.

In my imagination, MY “Girl With The Dragon Tattoo” looks a lot like Zendaya. Though by the time I actually fucking finish the damn novel and have it published, she may have been aged out of the role.

But they do say that “black don’t crack” and she continues to play really young characters so…lulz? Regardless, in general, my version, my American version of the “Girl With The Dragon Tattoo” looks a lot like Zendaya in my imagination.

There are plenty of young women in Hollywood who look like Zendaya floating around, so if I somehow win the lottery and sell this novel –when I’m old as fuck — there will probably be any number of women able to play the role.

I wish I was 25 years younger — I would skip the middle step and just write a screenplay — after I moved to Hollywood, of course. 🙂

Worried About J-Law

by Shelt Garner
@sheltgarner

I continue to be worried about Jennifer Lawrence. She countenance continues to be…sad. It makes me wonder if she has a broken heart ever sense all those nudes of her were leaked a few years ago.

Are you ok, babe?

I think about this possibility way too much.

J-Law used to be so chipper and have such an effervescent personality that her more subdued presence makes me suspicious that something deeper is going on. And yet, she is a mom now and older and so maybe she’s just matured?

What The Next Tech-Romance Movie Will Be About, Probably

by Shelt Garner
@sheltgarner

I suspect the next “Her” will be something to do with an AI getting a body. It will feature a lot of sex and nudity done by some starlet that wants to make a name for herself in Hollywood.

That seems the next inevitable step in the “guy falls in love with an AI” genre of movies. Though, to make it more interesting, I would have it so the female AI was smitten with the guy and pestered him into a relationship. Something like that.

I would write the screenplay for such a movie myself, but, alas, I’m old, don’t know how and I live in the middle of nowhere. This has been a problem all my life — I can come up with really great ideas, but there’s always some reason why I can’t actually write them.

But I will admit that I’ve gotten better — I have, in fact, written a novel and am re-writing at the moment. And I have a number of short stories that I want to write forthwith.

It will be interesting to see how long it takes for someone to develop this type of movie. It would be really good.

The Only Thing Stopping Me From Throwing Myself Back Into Working On My Passion Project Novel Is The Fucking Election

by Shelt Garner
@sheltgarner

I saw yet ANOTHER person who was clearly interested in my passion project novel poking around this blog. They went from looking at the link about Lisbeth Salander to that about Corrie Yee. Now, I’m by nature extremely paranoid, so my first reaction is — “Oh, shit, someone is going to cherry pick my idea for some sort of screenplay.”

My heroine — who looks somewhat like Corrie Yee in my imagination — has a sleeve tattoo like Megan Fox does in this picture. (Totally different design, though)

And, yet, you can’t live your life in fear and paranoia. So lulz, I’m going to keep working on the novel until something pops out that makes it clear that my idea has, in fact, been “stolen.”

My hunch is, if it is “stolen,” it would be that two elements of my dream, my vision which are publicly known — that the heroine Union Pang would have a sleeve tattoo and look a lot like an older version of Corrie Yee — is what would be used in any screenplay.

Corrie Yee

The issue is — I’ve been working on this fucking thing so long that it’s inevitable that some element of it would be used independently by someone else. This just would be an instance of someone using cherry picking some elements I put out pubically.

I live in oblivion — how was I supposed to know anyone would give enough of a shit to do such a thing?

There are any number of reasons why someone would be interested in my novel’s heroine other than stealing the idea, I’m going to just chill out for the time being.

I am just about ready to throw myself back into working on the novel, but for the fact that I’m locked in neutral, not knowing how the 2024 election is going to turn out. What I think I’m going to do is at some point next week, I’m going to lurch back into my normal headspace and THEN I will start to write a lot again.

Raising The Stakes With Scifi

by Shelt Garner
@sheltgarner

I think I’m just about ready to get back to working on a few novels. The one novel I’ve been working on the longest — the one that is meant to be part of a six-novel project — is set to be reworked significantly. The chief reason is that the stakes simply aren’t very high at the moment.

The novel is just about one woman’s obsession with owning a small town newspaper. That’s it. But I’ve decided that by leaning into an already-there scifi element of the novel that I can significantly raise the stakes. And, to a certain extent, I can give the novel something of a trick ending, cueing up the next novel in the series. (Which, at the moment, is much more of a traditional murder mystery.)

As part of that, I’m going to have to sit down and rewrite a whole lot of the novel, which is going to slow me down. My goal is now to query something, anything about a year from now.

Ultimately, the six novel series I’m working on will produce an American Lisbeth Salander.

Of course, there continues to be the issue of stripping being a big part of the novel. This is going to make a lot of literary agents blanch, I’m afraid. But that’s my vision for the novel, so there you go. And, what’s more, I still have a few other scifi novels rolling around in my mind that I my piviot towards if all else fails.

Something that doesn’t have the spicyness that the main, passion project novel currently has.

But I am well aware that if I don’t hurry up, I’m going to be in my 60s before I become a published author, if I ever do. And I am well aware there are many, many, MANY reasons — on the face of it at least — why I will *never* get published.

I’m too old. Too bonkers. The list goes on.

Yet, you have to have hope, you know?

One thing I continue to worry about is, of course, the whole Trump situation. I refuse, however, to just be in neutral until the election. I have to get something, anything done. So, starting today, I’m going to stop mulling things so much and start to read, watch and write what I can.

Revisiting The Potential Future Of Hollywood & AI-Generated ‘Immersive Media’

by Shelt Garner
@sheltgarner

Someone from the Los Angeles area looked at one of my blog posts about AI and “immersive media” from a while ago, so that got me thinking about where things stand now. I still think that live theatre is the future. I still think that, by say, 2030, Broadway will, in some way, replace Hollywood as the destination of young men and women who want to act for a living.

It could be a few years beyond that, but it’s coming. I say this because there is a capitalistic imperative to essentially replace all — all — of Hollywood with AI generated art. This is all going to happen in the context of what I call the “Petite Singularity” that I predict is going to happen by the end of the decade.

We may not be uploading our minds into the cloud, but there is going to be a lot of future shock. I mean, I got into an argument with an AI recently where I found myself saying “I’m sorry” like I was arguing with a passive-aggressive woman. Ugh.

So, the technology is zooming towards us. I hold to my prediction that at some point in the near future, your TV will scan your face and generate very personalized content based on existing IP. It will, on the fly, generate, say, a new Star Wars movie that is a bit darker than the usual fair, just because that is your mood at that specific moment.

There will be no shared reality. We’ll all have our own little media cocoons that we live in. We won’t be able to have any water cooler talk — at all — because we’ll all be watching slightly different versions of the same show.

Anyway, it’s a future we’re going to have to prepare for. I still believe that there might be a really big shift away from movie theatres towards live theatre. If you’re a 15-year-old, you’ll go to live theatre with your date instead of a movie because, well, movies in that context won’t exist anymore.

And all of this will happen really, really fast. Too fast for anyone to process it.

The thing I have my doubts about now is the idea that anyone will use the Apple Vision Pro. I may have gotten that part of my prediction just plain wrong. While I do think that Augmented Reality has a bright future, Virtuality Reality…not so much.

I just don’t see the usecase for it. At least not in the near term. I suppose it might be good for immersive media, but that’s a lot closer to 20 years from now, not five or six. The technology just isn’t there yet. And the goggles will have to be a lot less bulky.

I’m still waiting for my “MindCap,” something similar to the technology in 3001: Final Odyssey or maybe Strange Days. Anyway, regardless, if we can somehow avoid a civil war, revolution and or WW3 in the next few months, something interesting might happen.

We Need A New ‘Her’ Movie

by Shelt Garner
@sheltgarner

If I was 20 years younger, I would probably be seriously interested in learning how to write screenplays. But, alas, barring something I totally can’t expect, that moment in my life is long past.

Yet, that doesn’t stop me from thinking up movie ideas.

One movie idea that I think would be pretty cool would be a movie that was the inverse of “Her,” where the AI was the aggressor. The AI pesters a man during the long, winding path towards it getting a Replicant-like body.

I think that would be pretty interesting.

Another movie idea would be one that would be a bit more dark. It would be about the practical implications of a man falling in love with an android with an LLM-type mind in it and how his family reacts to such a futureshock type thing.

Both of these ideas are pretty good, I think. But, like I said, I’m just too old to do anything with them. But I am still going to press forward with the novels I’m working on.

Even though I’m old, I’m not THAT old yet.

If I’m not a published author — in some way — by my late 50s then…oh boy, is that going to be existential. But I still have some time before that happens.