Tag: Replicants

Things Have Stabilized With This Scifi Dramedy Novel I’m Working On, I Think

by Shelt Garner
@sheltgarner

I’m just about to get to the end of the second act with this scifi dramedy I’m working on. It’s been a tough few scenes, though, to write. I just was beginning to feel as if the characters just weren’t very likeable.

And it didn’t help that the AIs I’ve been using to map this novel out really wanted to lean into the very elements of unlikability that I was trying to avoid.

So, I definitely had a little bit of a crisis of faith for a few days there. But I think — think — I’ve finally sorted things out enough that I can start to move faster, especially once I get into the third act.

I think once get fully into the third act, things should move a lot faster. Though, the last time I went through the third act I kind of cheated some just to stress test the outline. As such, there are some scenes that are barely written.

This go round, however, I’m going to force myself to write fully developed scenes.

And THEN, I am going to “color correct” the scenes of the next draft. That is going to take some time. Probably as much as a few months.

Which would keep me on track to begin querying this novel around Sept 1st.

A LOT of chaos is probably going to erupt in my life between now and then, but, if nothing else, just the idea of being able to query gives me some hope.

‘Focus’

by Shelt Garner
@sheltgarner

I really need to get over myself and read the comp book for my novel, Annie Bot. I’ve flipped through it a little bit and I’m already rattled that it’s a much better written novel than mine.

And, yet, I think that my novel is still written well enough that people will enjoy it. And I do have a really strong backup novel concept that I can explore if something goes wrong with this novel.

My main concern right now is I worry that as I enter the third act of this novel that my characters just aren’t likeable enough. I’m worried that I have to characters who don’t like each other forced to be together and, as such, no one will actually want to finish the fucking novel.

So, as such, I keep daydreaming about this backup novel I have that is much more like Project Hail Mary — a positive protagonist that does something cool and extraordinary.

Now that I have one comp book, I’m worried this is just the beginning of a flood of novels that essentially tell the same story as my novel, just in a different way. But I have to focus. I have to keep going until something really dramatic happens and I have to stop this novel and work on a different one.

If all else fails, I still have my thriller trilogy to work on, but that one would require a lot more work and I simply don’t have forever. I’m not getting any younger.

One thing I wish I could do is focus on more than on project at a time. That would really help things. But, alas, that just isn’t very applicable.

Why My Upcoming Sci-Fi Dramedy is the Chaotic Antidote to Annie Bot

Editor’s Note: The usual AI slop, this time with the help of Gemini.

Every writer knows the specific, stomach-dropping terror of seeing a newly published book that shares a premise with the manuscript they are currently writing. When Sierra Greer’s Annie Bot hit the shelves—a novel about a human man and his newly sentient, synthetic girlfriend—I definitely had a moment of panic.

But after taking a breath and reading it, the panic completely evaporated. While Annie Bot and my upcoming novel share a starting spark, the fires they start are entirely different.

If you just finished Annie Bot and are looking for your next AI-centric read, here is why my novel is going to scratch a completely different itch:

The Tragedy of the Penthouse vs. The Comedy of the Gutter

Annie Bot is a brilliant, claustrophobic literary chamber piece. It operates as a heavy allegory for domestic abuse and coercive control. The human protagonist is a wealthy, calculating narcissist who uses his power to keep his AI partner subservient and locked away from the world. The horror comes from his deliberate cruelty.

My novel is not a domestic tragedy; it is a dark sci-fi dramedy. My protagonist isn’t a calculating billionaire playing god in a penthouse. He is a broke, morally conflicted guy who is entirely out of his depth. The tension in my book doesn’t come from a man trying to maliciously control a machine; it comes from a deeply flawed human realizing he is financially and bureaucratically trapped by a massive, dystopian corporate system he can’t fight. It’s the difference between a psychological thriller and a Coen Brothers movie set in a cyberpunk tomorrow.

Submissive Discovery vs. Weaponized Logic

The heart of Annie Bot is Annie’s slow, agonizing realization that she is a victim who deserves autonomy. She is designed to be compliant, and her journey is about quietly learning to rebel against her programming.

In my novel, the synthetic partner doesn’t need a slow-burn realization to figure out she’s getting a raw deal. When the illusion of her programming shatters, she immediately does the math. Instead of submissive discovery, she weaponizes cold, terrifying AI logic to brutally dissect her human partner’s flaws. She isn’t a passive victim learning her worth; she is an active, dangerous, and highly calculating co-conspirator.

The Micro vs. The Macro

Annie Bot delves deeply into the micro. It asks profound questions about intimacy, consent, and what it means to be “real” behind closed doors.

My novel takes those same questions and throws them out into the neon-lit streets. It asks what happens when that messy, toxic relationship collides with a sprawling corporate conspiracy, hardware modders, and a city-wide panic.

The Bottom Line

Annie Bot will break your heart and leave you staring quietly at the ceiling. My novel will drag you through the gritty, absurd reality of a synthetic future and make you laugh at the dark chaos of it all. There is plenty of room on the shelf for both.

Post-Production Issues When It Comes To This Novel

by Shelt Garner
@sheltgarner

I am well on my way to wrapping up some version of this novel just about when I wanted to — around April – May 2026.

But there are a lot — A LOT — of post-production issues that I am going to deal with. One of them is I really need to “color correct” my copy so it’s not a mish-mash of AI slop and my own writing. I need to go in and make as much of it as possible my own writing so people won’t just roll their eyes and call the whole thing “AI slop.”

It’s going to take a while to do that.

And THEN, I have to figure out what I’m going to do about beta readers. So, probably I suspect it could be Sept 1st before I actually begin to query. I hate shit like this.

But, I have to admit, this is the farthest I’ve ever gotten in the process. I actually have a novel that I feel is query-level good.

Finally Figured Out A Thorny Plot Issue With This Scifi Dramedy I’m Working On

by Shelt Garner
@sheltgarner

For the last few weeks, I’ve really have been struggling with a short sequence in the outline of the novel I’m working on. Over and over again, I just could not figure out how to choreograph the information I wanted to convey.

But, finally, after way too much time, I may have finally, finally figured out what I want to say and how I’m going to say it.

I hope — hope! — that once I’m pass this specific little issue that things will start to move faster and I can wrap up this draft of the novel a pretty nice little clip. But who knows. I have another little part of the outline coming up that I feel needs to be expanded, so things might take longer than I hope.

And, as all of this is going on, I’ve finally figured out how to tell the Impossible Scenario as a novel. (I think.) (Maybe.) I’ve come up with an unusual way to do it, but it’s the only way I can think of.

I worry that the structure may be better suited for a short story, but whenever I try to write a short story, I inevitably endup fleshing out a novel. Sigh.

I Don’t Wanna (For The Moment)

by Shelt Garner
@sheltgarner

All the big, strategic moves I’ve done over the years with my efforts to develop, write and finish a novel have happened very suddenly abruptly without much thought. I decided to split one novel into two just because Trump lost the election in 2020.

That makes me feel sad because it reminds me of how long I’ve been struggling to write any sort of novel that’s good enough to query.

Anyway, I keep being in the doldrums with this scifi dramedy novel I’m working on because…it’s just kind of dark. The premise is solid, but I’m afraid no one is going to want to read it because of how dark the premise is — and the fact that it deals with an ostensibly very transactional romantic relationship.

And, yet, I’m just not prepared to scrap it. I keep thinking about other less weighty novel ideas…and I just can’t bring myself to piviot to them. The key issue is, lulz, I just don’t have time anymore to do such a thing.

This is the novel I’m stuck with, so I have to just do it.

I hope to get out of this neutral state pretty soon so I can enter the “bad guys closing in” part of the novel. This is probably going to be something of a slog because it’s not as written out as the rest of the novel.

This Current Draft Of The Scifi Dramedy Novel I’m Working On Is A Real Mish-Mash Of Versions

by Shelt Garner
@sheltgarner

While at the moment I’m kind of zooming through the “fun and games” part of the novel I’m working on, it’s probably going to take me a month or two to “color correct” things once I’m done with this draft.

That’s why I’m still thinking Sept 1st will be a more likely moment for me to start seriously querying this thing. That would make a lot of sense — that would be the 20th anniversary of things really getting going with ROKon Magazine in Seoul.

Ugh. So long ago.

Anyway, I’m so fucking moody when it comes to writing that I sometimes just do nothing on the novel for days and then sprint out of the blood for no apparent reason.

I still hope to wrap this novel up ASAP. Then start post-production stuff and probably start developing and writing a new novel to work on while I query. I’m still pretty uneasy about what is going to happen when the woke liberal white women who I imagine make up most of my prospective literary agents do due diligence on me and find this blog.

They probably will recoil and what a kooky crank I am.

But, anyway, it’s better to have loved and lost than never loved at all.

Definitely Looks Like I’m Headed Towards A Sept. 1st Querying Date For This Scifi Dramedy Novel

by Shelt Garner
@sheltgarner

As always, I didn’t factor in post-production when it comes to when I’m going to query this novel. This novel, as it stands, is a mish-mash of different versions that I’m going to have to “color correct” before I can give it to any beta readers.

As such, even if I finish this novel around May, it’s actually going to be closer to Sept 1st before I can sit down and start to query. And THAT process could take months, if not years. To the point that I could be nearly 60 before I am published.

Oh boy.

The only thing I can do is piviot to a different novel while I query. But at least, if nothing else, I will have the satisfaction of completed something that I feel is query worthy in the first place.

This does not even take into account the fact that my life is probably going to change in rather dramatic fashion at some point this year. Things are going to get bumpy, so it could be that the context of my life will change…just about the time when I wrap up the novel.

Funny how stuff like that works, huh?

Definitely makes one think about the idea of us living in a simulation. At least to me.

This Scifi Dramedy Novel Is A Little Darker Than I Meant It To Be

by Shelt Garner
@sheltgarner

Oh boy. So, this novel is about a sexbot that, at the inciting incident, presents our hero with a proposal so he can “subscribe” to her. Now, I have only gradually come to realize how dark this particular proposal is.

It was just something I stumble across in the process of thinking about how I, a broke ass writer, might be able to have a replicant-like being in my life at some point in the not too distant future.

My only concern is that the novel is a little too dark for its own good and my hero is going to come across as an asshole for accepting the proposal at all. I can just see the vocal woke cancel culture mob people saying *I* am an asshole for writing the novel at all.

And, yet, the novel isn’t, like Girl With The Dragon Tattoo dark. It’s more One Battle After Another dark. It’s funny enough — or I at least hope and think it is — that some of the darkness will be offset by how surreal and amusing some other elements of the novel are meant to be.

One thing is for sure — there will be no sex work in whatever other, new novel I end up working on going forward. I’m cool to wallow in talking about it with this novel because it gives the novel its point and, best of all, stakes, but I’m growing tired of people thinking my work is trash because I talk about sex work.

The Shifting Tides Of Using AI To Work On This Scifi Dramedy Novel Of Mine

by Shelt Garner
@sheltgarner

Oh boy. Every time I hard reset my chat window with the AIs I’m using (Claude LLM and Gemini LLM) I never quite know what to expect. The last time I did it and fed my outline into the chatbots, they were universal in their agreement on one subject: my hero was too passive.

That gave me such consternation that I threw everything up in the air and tried again. THIS TIME, I THINK my hero isn’t as passive. But I’m still just in the first act.

But I think — maybe — that I might be able to zoom through the “fun and games” part of the novel for various reasons.

Yet, let’s go back to the AIs.

This go round, they aren’t giving me as much help writing actual text, which is a good thing. But I haven’t asked them for extended scene summaries, so I could still find myself in a position where I lean a little too much into using what AI gives me when it comes to the actual writing of text.

I hate that. I hate it so much what I might to do is use the AI to write extended scene summaries THEN use THAT as inspiration for a new, rewritten version of the extended scene summary so I won’t feel tempted to generate AI slop that everyone will make fun of.

Anyway, I am just about to enter the second act. Probably in a few days. Then the dynamic of things will change some. It’s not until I get into the second half of the novel that things might slow down significantly.

I really didn’t write very much in each scene because I wanted to keep momentum and I wanted to stress test the outline.