Even More Angst About Querying My First Novel

by Shelt Garner
@sheltgarner

So. Here I am, well on my way to wrapping up an alpha release of the third draft of my first novel. As such, I really need to take the idea of querying my novel sometime in the fall of 2024 more seriously. There is a chance, of course, that it might be about a year from now before I query for various reasons, but I hope things don’t come to that.

But it’s really nerve wracking having to think about the nuts and bolts of querying my first novel. It sure would help if I had some quirky “in’ to the industry that allowed me to speed the process up. Yet, at the moment that is just a daydream on my part.

The entire system of trying to get into ANY form of showbiz is designed specifically so you can’t get into it. That’s why having a connection to the showbiz industry you’re interested in can be crucial. And, of course, there is the fact that I’m 100% extroverted and I often get drunk while I’m using the Internet.

It’s not like I can go back in time and change things. I am who I am and I am WELL AWARE that anyone literary agent doing due diligence on me might be dismayed by what the find. My experience with manuscript consultants was a real eye-opener — some of them wouldn’t even give me the time of day because they thought I was below them in some way.

And, yet, I have wanted to query a novel from the very beginning of this years-long process. And, so, here we are — there is going to come a point when I have to leave the delusional phase of this novel and enter a new, more serious and fact-based part of the project.

It’s going to suck.

To make myself feel better, I’m probably going to look into having a few backup, second track stories for Just In Case. My goal, my dream is to be a professional creative writer from here on out, for the rest of my life. But sooooooo much can go wrong as I try to make that dream a reality.

But I just have to roll with the punches.

I Continue To Be On Edge About The Looming Querying Process

by Shelt Garner
@sheltgarner

I’ve vowed to sooner rather than later to take the querying process for my first novel a lot more seriously. At the moment, I’m on track to wrap up the novel around — hopefully — April. Then the plan is to begin querying no later than, say, September.

But it’s always possible that that deadline may slip and it won’t be the fall 2024 querying season that I take the plunge, but, rather the Spring 2025 season. And all of this is happening in the context of not only me Not Getting Any Younger, but knowing damn well that any literary agent who does due diligence on me might just throw up their hands with dismay at all the kooky things I’ve written about and done videos about over the years.

And I am the first to admit that if you don’t know me personally, I can come across as a drunk crank. Ok, I get it. But what am I going to do about it at this point? I am who I am and I have some quirks and sharp edges that might turn some (liberal white women) people off.

My heroine kind of looks like this in my mind as I write her.

I really need to stop stewing about querying and begin to take it concrete steps to be ready to go when the moment comes. But I also want to start to work seriously on some backup stories. I have at least three solid scifi novels rolling around in my head and all the hard work I’ve put into my first novel should speed the process of development up for these “back up stories” a great deal.

That’s the plan, at least.

Things Are Moving Fast Now

by Shelt Garner
@sheltgarner

While disaster could strike at any moment, for the time being, I’m feeling pretty good about the state of the third draft of my first novel. I’m going to focus on having a “alpha release” done as soon as possible. Once I get to that point, then I might start to do some fleshing out of the canon and characters so the beta release will be good enough to show other people.

I’m getting soooooo close to being in a position where I have to take the process of querying seriously. The idea of pitching my long-term delusion to people with money and careers is really going to rattle my cage. But it’s something I’ve been expecting for years now.

The story is pretty strong and it is provocative enough that I could see — if I sell the novel and it is huge success — that Hollywood will be interested. Even though the story isn’t nearly as dark and twisted as Stieg Larsson’s work, I feel confident that anyone who has read his work find my novel to be something of an old brown shoe without it being a hackneyed copy.

This novel is its own thing, it’s just I used Larsson’s “The Girl Who Played With Fire” as my “textbook” and, as such, it’s something of a homage. I hope people don’t think it’s some sort of fanfic, because it’s not. It’s very much my own personal interpretation of the general concepts that Larsson wrote about.

I have done everything in my power to make work as original as possible, even as I use some basic techniques that Larsson used in his work — for better or for worse.

I hope to zoom through the rest of the third draft of the novel now. But, like I said, so much can go wrong. But, I try to be hopeful.

I Finally Have A Stable First Act For The Third Draft Of My First Novel

by Shelt Garner
@sheltgarner

Things are going so well with the first act of the third draft of my first novel that I’m seriously thinking about developing the three scifi novels I have rolling around in my mind.

I just need to stretch my legs creatively. I need to have the option of thinking about something other than this same novel. The goal is that the overall product will be better for all the things I’m working on.

I find myself thinking about querying and reading books to “comp” my book to. At the moment, all I have is pretty much just Stieg Larsson books, the originals of which are about 20 years old now.

But I think once January 1st rolls around that I’m going to get a lot of work done. Watch me say that then something happen to slow me down significantly. I’m kind of falling apart physically and I’m a little worried that Something Bad will happen big enough to force me to either pause writing or change the context a great deal.

Ugh. N+1 and all that.

I’m Dreading The Due Diligence Of Literary Agents When I Start to Query This Novel

by Shelt Garner
@sheltgarner

You know, you take yourself wherever you go. And I’m at a point in my life when I can’t get rid of all the evidence that I’m a drunk crank kook and have been that way my entire life.

My heroine looks like Corrie Yee in my mind as I write her.

My fear is, of course, that in about a year, when I start to query my first novel that I will see agents crawling around this Website doing due diligence on me and obviously being shocked at what a drunk crank I am.

I’ve talked about these fears before, but as I get closer to zooming through the third draft of this novel, I find myself thinking about it yet again. I just don’t know what I’m going to do.

I suppose, in the end, I do nothing.

Slings and arrows and all that. I just have to accept that I may suffer something of a “kook tax” yet again — the liberal white women who I believe make up the vast majority of literary agents may be aghast at what a freaky weirdo I’ve been as I written — and talked — over the years at great length, in vague terms, about what I hope is a six novel project.

Only time will tell, I suppose.

Oh Boy. I Hope Having A Lot of Organic ‘Spicy Scenes’ in The First Act Of This Novel Makes It A Page Turner

by Shelt Garner
@sheltgarner

I measure the development of this novel not in words but in scenes, with each scene being about 1,000 words. So, I’m aghast that my first act has ballooned to 60 scenes. If you assume 60 + 50 (25 + 25) + ~30….oh boy. If I assume 60 scenes for the first act, then about 50 scenes for the second act and maybe 30 scenes for the third act…I got a problem on my hands.

“I can’t wait forever!” — President of Hollywood
I have a real problem on my hand. That would be ~140,000 words. And, yet, maybe not. A lot will depend on how long each scene is and I wildly miscalculated that issue with the second draft. I came in at 80,000 words after allotting myself 100,000 words. The issue was that all many of third act scenes were really, really short.

There are three ways to solve this issue.

One is to just accept that I’m going to blow past the sweetspot of ~100,000 words and take comfort in the fact that The Girl On The Train is about 140,000 words. Another is to hope that I’ve totally misjudged things again and the story will somehow magically fit into the around 100,000 word range. And, last of all, is the most drastic — cut the thing into two.

I think my best bet at the moment is it just finish the novel then take an assessment. If I fall within around 140,000 words, then I think I’ll just fight for that vision and try to pick a novel of that length.

Or I might write another — maybe scifi — novel that DOES fit into the ~100,000 sweetspot and then once I sell that use the success of that novel to sell my first, longer novel.

The point is to 1) finish the novel 2) tell a good story.

Everything else can be taken care of later.

The Sprint Begins

by Shelt Garner
@sheltgarner

I’m just about to lock down the first two chapters of the third draft of my first novel. It’s some of the best writing I’ve ever done. I’m really, really pleased. I just have to keep the quality of work up.

I’m never going to be Gillian Flynn, but I am at least getting closer to Stieg Larsson quality writing (I know I read his stuff translated). The key thing that changed in the last month or so is I’ve finally — finally — figured out the relationship between different people as the story opens.

As such, now I can zoom through the much of the novel. I still have a lot of issues with some structure ahead of me — especially in the third act –but, in general, I know this story so well that things writing *should* move at a pretty nice clip.

But there are some known unknowns. One is the holiday season is now here and that is going to scramble things on an emotional basis. Meanwhile, I’ve been in a very — VERY — idyllic situation when it comes to writing for a long time and that is bound to change — one way or another — sooner rather than later. I just have to accept that.

What’s more EVEN IF I stick the landing of this novel, the looming Fourth Turning and Petite Singularity starting in late 2024, early 2025 is something I’ve quite worried about. And that’s over and above what a stressful pain in the ass the querying process is on whole.

Anyway. Wish me luck.

Things May Be About To Go REALLY FAST With This Third Draft Of My First Novel

by Shelt Garner
@sheltgarner

If my hunch is right and I’m able to lock down the first three chapters of this novel by, say, the end of November…hold on to your hats, we’re about to rock n roll. I say this because once I establish the basic relationships between all the characters, then a basic element of the story will be sorted out.

And if you factor in that I know most of the second act like the back of my hand at this point, then I can probably rewrite it quite quickly. The third act, though, oh boy. That’s the act that is going to be tough. If anything causes a delay in my mental timetable about when this novel will be “finished” and the post-production process begins, it’s figuring out a totally new third act.

That could soak up a significant amount of time.

But I am still, however, on track to start querying by no later than maybe September. That’s the dream. That’s the goal. Then a whole new era of this novel will begin. I’m well aware that everything sucks and I may be “on sub” for years…but, fuck it.

Let’s rock.

Dreading The Due Diligence Of Literary Agents In About A Year As Part Of The Querying Process

by Shelt Garner
@sheltgarner

I honestly don’t know what I’m going to do about literary agent due diligence on my sorry ass when I start to query. The thing about querying is people who don’t give a shit about you are going to become aware of your existence. And if you’re a fucking drunk kook crank like me, then, oh boy, their evaluation could be pretty brutal.

But, lulz, what am I going to do about it now?

I suppose there are a few things on the edges I could do to mitigate how bad things might be seen from the point of view of a literary agent. And, yet, fuck it, I refuse to change who I am. Let the chips fall where they may.

But I definitely need to psych myself up. It’s going to be very disheartening about a year from now to see people who are clearly literary agents poking around this blog. I understand that to someone who doesn’t have the time to have a conversation with me to find out my story that…I can come across as an eccentric.

And I will admit that I’m kind of bonkers. Maybe a lot bonkers.

But I will note that there are plenty of famous people who are just as bonkers as I am who are called “colorful” rather than nuts. Anyway. There’s nothing I can do about it now. Wish me luck.

Pondering Mystery Thriller Novels to ‘Comp’ To My Book As Part of The Querying Process

by Shelt Garner
@sheltgarner

Because I don’t really even read any modern books in my genre, I think I’m going to turn to AI to find out what current books I should read that I can “comp” to a book that is a homage to Stieg Larsson’s stuff.

My novel is so…different…that I struggle to think that I will be able to find a novel that is clearly something I can “comp.” But I’m going to have to figure out something. That’s what they pay me the big bucks for.

I’m going to have to take this whole process a lot more seriously. Anything to do with querying means I can just daydream and be delusional anymore. I really, really, really don’t want to self publish. That’s just not my scene. I would have to be really fucking desperate — at least at this point — to self publish.

I would rather go down in a blaze of glory a monumental failure than limit myself by self-publishing. That’s just my vision at the moment. I have nothing against people who self publishing, but I just don’t wanna do that.

My heroine, in my mind, looks something like this woman above.
I started reading a novel that was clearly meant to be something along the lines of a homage to Stieg Larsson’s stuff but something about it left me cold. It seemed to hone in on what the author thought made Lisbeth Salander so popular — her vigilante streak.

To me, that’s just a part of her personality. She was far more complex than that. I hope to force myself to actually read that damn book simply so I won’t feel so self-conscious about not reading fiction. But only time will tell.